(generally a very close and correct one), has confounded it with the Atlantis of Bacon; concluding, perhaps, according to the opinion then prevailing in Paris, that "philosophy" was a fashionable study with the belles of London.

TROUBLES FROM BAD AUTHORS.

(From the Epistle to Dr. Arbuthnot.)

Shut, shut the door, good John! fatigued I said;
Tie up the knocker, say I'm sick, I'm dead.
The dog-star rages! nay, 't is past a doubt,
All Bedlam, or Parnassus, is let out:

Fire in each eye, and papers in each hand,
They rave, recite, and madden round the land.

What walls can guard me, or what shades can hide?
They pierce my thickets, through my grot they glide.

By land, by water, they renew the charge;

They stop the chariot, and they board the barge.

No place is sacred, not the church is free,

Ev'n Sunday shines no Sabbath day to me:

Then from the mint walks forth the man of rhyme,
Happy! to catch me—just at dinner time."
Is there a parson, much bemus'd in beer,

A maudlin poetess, a rhyming peer,

A clerk, foredoom'd his father's soul to cross,

Who pens a stanza, when he should engross ?

Is there, who, lock'd from ink and paper, scrawls
With desperate charcoal round his darken'd walls?

All fly to Twit'nam, and in humble strain
Apply to me, to keep them mad or vain.
Arthur, whose giddy son neglects the laws,
Imputes to me and my damn'd works the cause:
Poor Cornus sees his frantic wife elope,

And curses wit, and poetry, and Pope.

Friend to my life! (which did you not prolong,
The world had wanted many an idle song),
What drop or nostrum can this plague remove?
Or which must end me, a fool's wrath or love?
A dire dilemma! either way I'm sped;
If foes they write, if friends, they read me dead.
Seiz'd and ty'd down to judge, how wretched I!
Who can't be silent, and who will not lie :
To laugh, were want of goodness and of grace;
And to be grave, exceeds all power of face.
I sit with sad civility; I read

With honest anguish, and an aching head;
And drop at last, but in unwilling ears,

This saving counsel, "Keep your piece nine years."
"Nine years!" cries he, who, high in Drury Lane,
Lull'd by soft zephyrs through the broken pane,
Rhymes e'er he wakes, and prints before term ends,
Oblig'd by hunger, and request of friends:
"The piece, you think, is incorrect? Why take it;
I'm all submission; what you'd have it, make it ;”
Three things another's modest wishes bound,
My friendship, and a prologue, and ten pound.
Pitholeon sends to me: "You know his grace;

I want a patron: ask him for a place."
Pitholeon libell'd me-" But here's a letter
Informs you, sir, 't was when he knew no better.
Dare you refuse him? Curll invites to dine,8
He'll write a journal, or he 'll turn divine."

Bless me! a packet.-"'T is a stranger sues,

A virgin tragedy, an orphan muse.”

If I dislike it, "furies, death, and rage!”

If I

66 approve, Commend it to the stage." There (thank my stars), my whole commission ends, The players and I are luckily no friends.

Fir'd that the house reject him, "'Sdeath! I'll print it, And shame the fools-Your interest, sir, with Lintot." "Lintot, dull rogue! will think your price too much :" "Not, sir, if you revise it, and retouch."

All my demurs but double his attacks:

At last he whispers, "Do; and we go snacks."
Glad of a quarrel, straight I clap the door;
"Sir, let me see your works and you no more.”

7 Then from the Mint walks forth the man of rhyme,
Happy to catch me, just at dinner-time.

The precincts of the Mint, in those days, included a jail for debtors. It was shabby of the poor devils of authors to take advantage of the poet's dinnerhour; but was it quite magnanimous in the poet to say so? If his father had not left him an independence, he might have found even himself hard pushed sometimes for a meal. Pope was a little too fond of taking his pecuniary advantages for merits. He did not see (so blind respecting themselves are the acutest satirists) that this inability to forego a false ground of superiority originated in an instinct of weakness.

8 Curll invites to dine.-Curll was the chief scandalous bookseller of that time.

CHARACTERS AND RULING PASSIONS.

CHARACTER OF THE DUKE OF WHARTON.

Manners with fortunes, humours turn with climes,
Tenets with books, and principles with times.
Search then the Ruling Passion: there, alone,
The wild are constant, and the cunning known;
The fool consistent, and the false sincere ;
Priests, princes, women, no dissemblers here.
This clue once found, unravels all the rest,
The prospect clears, and Wharton stands confest.
Wharton the scorn and wonder of our days,
Whose ruling passion was the lust of praise :
Born with whate'er could win it from the wise,
Women and fools must like him, or he dies:
Though wondering senates hung on all he spoke,
The club must hail him master of the joke.
Shall parts so various aim at nothing new?
He'll shine a Tully and a Wilmot too.

Then turns repentant, and his God adores,
With the same spirit that he drinks and whores: 10

Enough if all around him but admire,

And now the punk applaud, and now the friar.

Thus with each gift of nature and of art
And wanting nothing but an honest heart;
Grown all to all, from no one vice exempt;
And most contemptible, to shun contempt;
His passion still to covet general praise;
His life, to forfeit it a thousand ways;
A constant bounty, which no friend has made;
An angel tongue, which no man can persuade;

A fool, with more of wit than half mankind;
Too rash for thought, for action too refin'd:
A tyrant to the wife his heart approves ;
A rebel to the very king he loves;

He dies, sad outcast of each church and state,

And, harder still! flagitious, yet not great.

Ask you why Wharton broke through every rule?
'T was all for fear that knaves should call him fool.10"'

10 Then turns repentant, and his God adores

With the same spirit that he drinks and whores.

The reader must bear in mind that all which is considered coarse language now, was not so considered in Pope's time; and that words, which cannot any longer be read out loud in mixed company, may still have the benefit of that recollection, and be silently endured.

11 Ask you why Wharton broke through every rule?
'Twas all for fear that knaves should call him fool.

Perhaps, if it were required to select from all Pope's writings the passage most calculated to have a practical effect on readers in want of it, it would be this couplet. The address of it is exquisite. The obvious conclusion is, that it is better to be thought a fool by a knave than by a man of genius.