A Short History of the English DramaHarcourt, Brace, 1921 - Počet stran: 260 |
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Strana vii
... Connections PAGE 1 · 3 3. Miracle Plays 4. Early Development 5. Cycles 7 6. Secular Elements . II . MORALITY AND INTERLUDE 7. The Temper of the Middle Ages 11 8. Moralities 11 9. Interludes 15 10. John Heywood 16 11. The Vice . 18 12 ...
... Connections PAGE 1 · 3 3. Miracle Plays 4. Early Development 5. Cycles 7 6. Secular Elements . II . MORALITY AND INTERLUDE 7. The Temper of the Middle Ages 11 8. Moralities 11 9. Interludes 15 10. John Heywood 16 11. The Vice . 18 12 ...
Strana 1
... connection between the classic drama and the origins of the new form that arose in the Middle Ages . If in the earlier mediaeval centuries in England people could not go to anything like a modern theatre , the theatre could at least ...
... connection between the classic drama and the origins of the new form that arose in the Middle Ages . If in the earlier mediaeval centuries in England people could not go to anything like a modern theatre , the theatre could at least ...
Strana 2
... Shepherds ' Play , Everyman , and other Early Plays , xii . 2 * Manly . * Child , Introduction , xii . • Child . the tenth century they passed the boundary of non - 2 A SHORT HISTORY OF THE ENGLISH DRAMA Artistic Connections.
... Shepherds ' Play , Everyman , and other Early Plays , xii . 2 * Manly . * Child , Introduction , xii . • Child . the tenth century they passed the boundary of non - 2 A SHORT HISTORY OF THE ENGLISH DRAMA Artistic Connections.
Strana 3
... Connections . - From such a germ as the Quem Quaeritis one can easily see that expansion could take place in various ways . Especially could there be introduced various preliminaries to the actual dialogue at the tomb . As the service ...
... Connections . - From such a germ as the Quem Quaeritis one can easily see that expansion could take place in various ways . Especially could there be introduced various preliminaries to the actual dialogue at the tomb . As the service ...
Strana 18
... connection we might remark a spirit of mockery that frequently characterized the old drama and that was exemplified in such a thing as the so - called Feast of Fools . In Heywood's Play of the Wether the Vice takes the form of Mery ...
... connection we might remark a spirit of mockery that frequently characterized the old drama and that was exemplified in such a thing as the so - called Feast of Fools . In Heywood's Play of the Wether the Vice takes the form of Mery ...
Obsah
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Strana 181 - ... in which the virtues of private life are exhibited, rather than the vices exposed ; and the distresses rather than the faults of mankind make our interest in the piece.
Strana 94 - But deeds and language such as men do use, And persons such as Comedy would choose, When she would show an image of the times. And sport with human follies, not with crimes; Except we make 'em such, by loving still Our popular errors, when we know they're ill.
Strana 181 - But there is one argument in favour of sentimental comedy which will keep it on the stage, in spite of all that can be said against it. It is of all others the most easily written. Those abilities, that can hammer out a novel, are fully sufficient for the production of a sentimental comedy.
Strana 68 - The best in this kind are but shadows ; and the worst are no worse, if imagination amend them.
Strana 224 - Unpleasant. -The reason is pretty obvious ; their dramatic power is used to force the spectator to face unpleasant facts. No doubt all plays which deal sincerely with humanity must wound the monstrous conceit which it is the business of romance to flatter.
Strana 181 - In these plays almost all the characters are good and exceedingly generous; they are lavish enough of their tin money on the stage; and though they want humor, have abundance of sentiment and feeling. If they happen to have faults or foibles, the spectator is taught not only to pardon but to applaud them, in consideration of the goodness of their hearts...
Strana 106 - A tragi-comedy is not so called in respect of mirth and killing, but in respect it wants deaths, which is enough to make it no tragedy, yet brings some near it, which is enough to make it no comedy, which must be a representation of familiar people, with such kind of trouble as no life be questioned; so that a god is as lawful in this as in a tragedy, and mean people as in a comedy.
Strana 30 - The people, moved with the cruelty of the fact, rose in rebellion, and slew both father and mother. The nobility assembled, and most terribly destroyed the rebels ; and afterwards, for want of issue of the prince, whereby the succession of the crown became uncertain, they fell to civil war...
Strana 181 - ... consideration of the goodness of their hearts; so that folly, instead of being ridiculed, is commended, and the comedy aims at touching our passions without the power of being truly pathetic. In this manner we are likely to lose one great source of entertainment on the stage; for while the comic poet is invading the province of the tragic muse, he leaves her lovely sister quite neglected.
Strana 84 - The cloud-capp'd towers, tlie gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind.