William Shakespeare: The Critical Heritage Volume 4 1753-1765Brian Vickers Routledge, 1. 9. 2003 - Počet stran: 568 The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material. |
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Strana ix
... GARRICK , from his adaptation of The Winter's Tale, 1756 207 151 DAVID GARRICK , in defence of Shakespeare musicals, 1756 218 152 DAVID GARRICK , from his musical adaptation of The Tempest, 1756 222 153 CHARLES MARSH, from his ...
... GARRICK , from his adaptation of The Winter's Tale, 1756 207 151 DAVID GARRICK , in defence of Shakespeare musicals, 1756 218 152 DAVID GARRICK , from his musical adaptation of The Tempest, 1756 222 153 CHARLES MARSH, from his ...
Strana x
... Garrick's Romeo, 1757 308 164 JOHN ARMSTRONG , Shakespearian jottings, 1758 313 165 JOSEPH PITTARD , Garrick's Lear, 1758 316 166 WILLIAM SHIRLEY , Garrick's sins as actor and adapter, 1758 323 167 Unsigned essay, Shakespeare weighed ...
... Garrick's Romeo, 1757 308 164 JOHN ARMSTRONG , Shakespearian jottings, 1758 313 165 JOSEPH PITTARD , Garrick's Lear, 1758 316 166 WILLIAM SHIRLEY , Garrick's sins as actor and adapter, 1758 323 167 Unsigned essay, Shakespeare weighed ...
Strana xi
... Garrick's speaking of Shakespeare, 1760 424 186 CHARLES CHURCHILL , Shakespeare and Garrick supreme, 1761 435 187 GEORGE COLMAN on Shakespeare and the Elizabethan dramatists, 1761 440 188 BENJAMIN VICTOR , Shakespeare acted and adapted ...
... Garrick's speaking of Shakespeare, 1760 424 186 CHARLES CHURCHILL , Shakespeare and Garrick supreme, 1761 435 187 GEORGE COLMAN on Shakespeare and the Elizabethan dramatists, 1761 440 188 BENJAMIN VICTOR , Shakespeare acted and adapted ...
Strana 15
... Garrick, or some other actor. 'Tis not, then, from the interruption of deception that the bad effect[s] of such transgression of the unity of time proceed: 'tis rather from the uneasiness we feel in being kept in the dark with regard to ...
... Garrick, or some other actor. 'Tis not, then, from the interruption of deception that the bad effect[s] of such transgression of the unity of time proceed: 'tis rather from the uneasiness we feel in being kept in the dark with regard to ...
Strana 16
... Garrick's adaptation had cut many of the quibbles, but Charles Marsh for one was not satisfied, and records that in 1752 he had prepared 'an Alteration of Romeo and Juliet wherein I had separated the Tragedy from the Comedy, and thrown ...
... Garrick's adaptation had cut many of the quibbles, but Charles Marsh for one was not satisfied, and records that in 1752 he had prepared 'an Alteration of Romeo and Juliet wherein I had separated the Tragedy from the Comedy, and thrown ...
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absurd actor adaptation admirable altered appear Arthur Murphy beauties character Cibber circumstances comedy Cordelia Coriolanus criticism Cymbeline daughters David Garrick death Dr Johnson dramatic edition English essay excellent expression eyes father faults Garrick genius give Goneril Hamlet hath heart heav’n honour Iago ideas imagination imitation Imogen Johnson judgment Juliet King Lear King’s Lady language Lear’s Leonatus Leontes Lord Macbeth madness manner Measure for Measure merit metaphor Midsummer Night’s Dream mind Murphy nature never night o’er observe Othello passage passion performed Philario piece play poet poet’s poetical poetry Pope Prince propriety Queen rage reader Review Richard Richard III Romeo Romeo and Juliet scene sense sentiments Shakespeare shew soliloquy soul speak speech spirit stage striking taste Tate Tempest theatre thee Theophilus Cibber thou thought thro Tragedy unnatural verse Veturia Warburton whole Winter’s Tale words wou’d writers