William Shakespeare: The Critical Heritage Volume 4 1753-1765Brian Vickers Routledge, 1. 9. 2003 - Počet stran: 568 The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material. |
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Strana ix
... Romeo and Juliet acted and adapted, 1753 53 138 GEORGE COLMAN, Shakespeare's self-criticism, 1753 56 139 JOSEPH WARTON on The Tempest and King Lear, 1753–4 60 140 ARTHUR MURPHY , Essays on Shakespeare, 1753–4 84 141 CHARLOTTE LENNOX ...
... Romeo and Juliet acted and adapted, 1753 53 138 GEORGE COLMAN, Shakespeare's self-criticism, 1753 56 139 JOSEPH WARTON on The Tempest and King Lear, 1753–4 60 140 ARTHUR MURPHY , Essays on Shakespeare, 1753–4 84 141 CHARLOTTE LENNOX ...
Strana x
... Romeo, 1757 308 164 JOHN ARMSTRONG , Shakespearian jottings, 1758 313 165 JOSEPH PITTARD , Garrick's Lear, 1758 316 166 WILLIAM SHIRLEY , Garrick's sins as actor and adapter, 1758 323 167 Unsigned essay, Shakespeare weighed and measured ...
... Romeo, 1757 308 164 JOHN ARMSTRONG , Shakespearian jottings, 1758 313 165 JOSEPH PITTARD , Garrick's Lear, 1758 316 166 WILLIAM SHIRLEY , Garrick's sins as actor and adapter, 1758 323 167 Unsigned essay, Shakespeare weighed and measured ...
Strana xi
... Romeo and Juliet', 1764 538 199 EDWARD WATKINSON on Shakespeare, 1764–5 540 200 RICHARD HURD , Shakespeare and Gothic romance, 1765 542 201 THOMAS PERCY , Shakespeare and the History Play, 1765 544 202 HORACE WALPOLE on Shakespeare and ...
... Romeo and Juliet', 1764 538 199 EDWARD WATKINSON on Shakespeare, 1764–5 540 200 RICHARD HURD , Shakespeare and Gothic romance, 1765 542 201 THOMAS PERCY , Shakespeare and the History Play, 1765 544 202 HORACE WALPOLE on Shakespeare and ...
Strana 16
... Romeo and Juliet. Garrick's adaptation had cut many of the quibbles, but Charles Marsh for one was not satisfied, and records that in 1752 he had prepared 'an Alteration of Romeo and Juliet wherein I had separated the Tragedy from the ...
... Romeo and Juliet. Garrick's adaptation had cut many of the quibbles, but Charles Marsh for one was not satisfied, and records that in 1752 he had prepared 'an Alteration of Romeo and Juliet wherein I had separated the Tragedy from the ...
Strana 20
... Romeo and Juliet (No. 137), a preference shared by Arthur Murphy (No. 161c). Murphy, again, believed that King Lear 'as altered by Tate will always be more agreeable to an audience' (No. 140), and the theatre reviewer in the Gazetteer ...
... Romeo and Juliet (No. 137), a preference shared by Arthur Murphy (No. 161c). Murphy, again, believed that King Lear 'as altered by Tate will always be more agreeable to an audience' (No. 140), and the theatre reviewer in the Gazetteer ...
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