William Shakespeare: The Critical Heritage Volume 4 1753-1765Brian Vickers Routledge, 1. 9. 2003 - Počet stran: 568 The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material. |
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Strana 16
... Tate in the 1670s and 1680s we see again the persistence of Neo-classical canons. Mrs Lennox had echoed Dryden and Rymer: Thomas Sheridan echoed Mrs Lennox, justifying his curious mixture of Thomson's Coriolanus with Shakespeare's on ...
... Tate in the 1670s and 1680s we see again the persistence of Neo-classical canons. Mrs Lennox had echoed Dryden and Rymer: Thomas Sheridan echoed Mrs Lennox, justifying his curious mixture of Thomson's Coriolanus with Shakespeare's on ...
Strana 17
... Tate and Co.; in this period it was the turn of the Romances, especially The Winter's Tale and Cymbeline. A glance at the stock Neo-classical rejection of the 'absurdities' and 'improbabilities' of these plays, as expressed by Pope, for ...
... Tate and Co.; in this period it was the turn of the Romances, especially The Winter's Tale and Cymbeline. A glance at the stock Neo-classical rejection of the 'absurdities' and 'improbabilities' of these plays, as expressed by Pope, for ...
Strana 20
... Tate's, the whole part of the Bastard (which is far the least interesting in the piece) being injudiciously restored'. He believed that 'candid judgment will allow...Tate's Lear (as at Covent-Garden) the best and most agreeable ...
... Tate's, the whole part of the Bastard (which is far the least interesting in the piece) being injudiciously restored'. He believed that 'candid judgment will allow...Tate's Lear (as at Covent-Garden) the best and most agreeable ...
Strana 21
... Tate's version, and turned Garrick's metaphor of losing 'no drop' of Shakespeare against him, deploring that he 'should yet prefer the adulterated cup of Tate to the pure genuine draught offered him by the master he avows to serve with ...
... Tate's version, and turned Garrick's metaphor of losing 'no drop' of Shakespeare against him, deploring that he 'should yet prefer the adulterated cup of Tate to the pure genuine draught offered him by the master he avows to serve with ...
Strana 24
... Tate and others but also, in his own person, he set new and bad fashions which were to persist for many generations. As an actor and theatre-manager he had an enormous pull—it is not too much to say that Garrick's Shakespeare had more ...
... Tate and others but also, in his own person, he set new and bad fashions which were to persist for many generations. As an actor and theatre-manager he had an enormous pull—it is not too much to say that Garrick's Shakespeare had more ...
Další vydání - Zobrazit všechny
William Shakespeare: The Critical Heritage, Svazek 4 Brian Vickers Náhled není k dispozici. - 1995 |
William Shakespeare: The Critical Heritage Volume 4 1753-1765 Brian Vickers Náhled není k dispozici. - 2008 |
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absurd actor adaptation admirable altered appear Arthur Murphy beauties character Cibber circumstances comedy Cordelia Coriolanus criticism Cymbeline daughters David Garrick death Dr Johnson dramatic edition English essay excellent expression eyes father faults Garrick genius give Goneril Hamlet hath heart heav’n honour Iago ideas imagination imitation Imogen Johnson judgment Juliet King Lear King’s Lady language Lear’s Leonatus Leontes Lord Macbeth madness manner Measure for Measure merit metaphor Midsummer Night’s Dream mind Murphy nature never night o’er observe Othello passage passion performed Philario piece play poet poet’s poetical poetry Pope Prince propriety Queen rage reader Review Richard Richard III Romeo Romeo and Juliet scene sense sentiments Shakespeare shew soliloquy soul speak speech spirit stage striking taste Tate Tempest theatre thee Theophilus Cibber thou thought thro Tragedy unnatural verse Veturia Warburton whole Winter’s Tale words wou’d writers