William Shakespeare: The Critical Heritage Volume 4 1753-1765Brian Vickers Routledge, 1. 9. 2003 - Počet stran: 568 The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material. |
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Strana xiii
... dramatic structure or style. These aesthetic ideas are also evident in the scholarly discussion of how he used his sources, and can be seen affecting the very text of his plays as established by editors, who complain at his offences ...
... dramatic structure or style. These aesthetic ideas are also evident in the scholarly discussion of how he used his sources, and can be seen affecting the very text of his plays as established by editors, who complain at his offences ...
Strana 1
... dramatic writers; perhaps at the head of all, who have figured in that kind in every age and nation', a verdict which Daniel Webb repeated in 1762 (No. 195). For John Armstrong in 1758 (No. 164), 'SHAKESPEARE perhaps possessed the ...
... dramatic writers; perhaps at the head of all, who have figured in that kind in every age and nation', a verdict which Daniel Webb repeated in 1762 (No. 195). For John Armstrong in 1758 (No. 164), 'SHAKESPEARE perhaps possessed the ...
Strana 3
... dramatic poetry that excites terror to so great a degree, except perhaps the Macbeth of Shakespeare'.3 Bishop Hurd, in the first edition of his Letters on Chivalry and Romance (1762) praised the depiction of Prospero's magic as an ...
... dramatic poetry that excites terror to so great a degree, except perhaps the Macbeth of Shakespeare'.3 Bishop Hurd, in the first edition of his Letters on Chivalry and Romance (1762) praised the depiction of Prospero's magic as an ...
Strana 11
... dramatic poetry? What critic has ever been asked, why a play may not contain two days as well as one? Or why the audience...may not be wafted fifty miles as well as five? Thanks to the 'dogmatical rules' laid down 'peremptorily' by the ...
... dramatic poetry? What critic has ever been asked, why a play may not contain two days as well as one? Or why the audience...may not be wafted fifty miles as well as five? Thanks to the 'dogmatical rules' laid down 'peremptorily' by the ...
Strana 12
... dramatic poem should continue about as long as whilst the sun is moving once round the earth. In compliance with this rule a French tragedy is strictly confined to twenty-four hours: but why just twenty-four hours? Why, because ...
... dramatic poem should continue about as long as whilst the sun is moving once round the earth. In compliance with this rule a French tragedy is strictly confined to twenty-four hours: but why just twenty-four hours? Why, because ...
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William Shakespeare: The Critical Heritage, Svazek 4 Brian Vickers Náhled není k dispozici. - 1995 |
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