William Shakespeare: The Critical Heritage Volume 4 1753-1765Brian Vickers Routledge, 1. 9. 2003 - Počet stran: 568 The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material. |
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Strana 3
... scenes in Hamlet, as expressed in two essays by Arthur Murphy (Nos 143, 161d), by an anonymous writer in the British Magazine for 1760 (No. 182: the ghost scene is 'undoubtedly the masterpiece of poetical painting in the gloomy way ...
... scenes in Hamlet, as expressed in two essays by Arthur Murphy (Nos 143, 161d), by an anonymous writer in the British Magazine for 1760 (No. 182: the ghost scene is 'undoubtedly the masterpiece of poetical painting in the gloomy way ...
Strana 15
... scene and another 'is that it prevents our deception', in that after only 'half an hour in the playhouse' we cannot suppose that 'two or three years have passed'. An unexceptionable beginning: but Smith went on to reject this ...
... scene and another 'is that it prevents our deception', in that after only 'half an hour in the playhouse' we cannot suppose that 'two or three years have passed'. An unexceptionable beginning: but Smith went on to reject this ...
Strana 17
... scenes more than bear out Daniel Webb's contention that reducing action to narration results in dull and monotonous drama. When Charles Marsh made his adaptation he chose the same solution (No. 153). A new expository scene tells us of ...
... scenes more than bear out Daniel Webb's contention that reducing action to narration results in dull and monotonous drama. When Charles Marsh made his adaptation he chose the same solution (No. 153). A new expository scene tells us of ...
Strana 18
... scene is still shifted from one Kingdom to another', but had also retained the deaths of Mamilius, Antigonus, and the ship's crew, 'which create a confusion of tragedy and comedy, and destroy the propriety of the composition' (No. 154) ...
... scene is still shifted from one Kingdom to another', but had also retained the deaths of Mamilius, Antigonus, and the ship's crew, 'which create a confusion of tragedy and comedy, and destroy the propriety of the composition' (No. 154) ...
Strana 19
... scene iii: 'Here follows a Vision, a Masque, and a Prophecy, which interrupt the Fable without the least necessity ... scene with the Soothsayer (5.5.425–55). Nor do these scenes 19 INTRODUCTION.
... scene iii: 'Here follows a Vision, a Masque, and a Prophecy, which interrupt the Fable without the least necessity ... scene with the Soothsayer (5.5.425–55). Nor do these scenes 19 INTRODUCTION.
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absurd actor adaptation admirable altered appear Arthur Murphy beauties character Cibber circumstances comedy Cordelia Coriolanus criticism Cymbeline daughters David Garrick death Dr Johnson dramatic edition English essay excellent expression eyes father faults Garrick genius give Goneril Hamlet hath heart heav’n honour Iago ideas imagination imitation Imogen Johnson judgment Juliet King Lear King’s Lady language Lear’s Leonatus Leontes Lord Macbeth madness manner Measure for Measure merit metaphor Midsummer Night’s Dream mind Murphy nature never night o’er observe Othello passage passion performed Philario piece play poet poet’s poetical poetry Pope Prince propriety Queen rage reader Review Richard Richard III Romeo Romeo and Juliet scene sense sentiments Shakespeare shew soliloquy soul speak speech spirit stage striking taste Tate Tempest theatre thee Theophilus Cibber thou thought thro Tragedy unnatural verse Veturia Warburton whole Winter’s Tale words wou’d writers