William Shakespeare: The Critical Heritage Volume 4 1753-1765Brian Vickers Routledge, 1. 9. 2003 - Počet stran: 568 The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material. |
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Strana 12
... whole day, as five hours, between each act. Surely Mr. Voltaire is but little acquainted with Shakespeare, or he who has so much taste for poetry would have mentioned the greatest genius that any nation ever produced with a little more ...
... whole day, as five hours, between each act. Surely Mr. Voltaire is but little acquainted with Shakespeare, or he who has so much taste for poetry would have mentioned the greatest genius that any nation ever produced with a little more ...
Strana 14
... whole representation is a fiction. And why cannot we as well follow the imagination of the poet from region to region? It is still but fiction, and, if it be spirited fiction, I am sure it will not be without its effect. It is the same ...
... whole representation is a fiction. And why cannot we as well follow the imagination of the poet from region to region? It is still but fiction, and, if it be spirited fiction, I am sure it will not be without its effect. It is the same ...
Strana 15
... whole concept of illusion. Subsequently he recommends that the action should be fixed 'to one place if possible, as Racine and Sophocles have done', or else confine the action 'to the same house or thereabouts' (p. 119). It is ...
... whole concept of illusion. Subsequently he recommends that the action should be fixed 'to one place if possible, as Racine and Sophocles have done', or else confine the action 'to the same house or thereabouts' (p. 119). It is ...
Strana 18
... whole has prefixed a very humorous Prologue, (xxvi, 151) In his theatre column in the London Chronicle Arthur Murphy also welcomed Garrick's version as being 'more compact', with Shakespeare's 'Absurdities...retrenched' (No. 161l). With ...
... whole has prefixed a very humorous Prologue, (xxvi, 151) In his theatre column in the London Chronicle Arthur Murphy also welcomed Garrick's version as being 'more compact', with Shakespeare's 'Absurdities...retrenched' (No. 161l). With ...
Strana 25
... whole of the season were by Shakespeare.. The same comedies and tragedies went on appearing year by year' (Theatre in the Age of Garrick, p. 196). The statistics of H.W.Pedicord27 and G.W. Stone (The London Stage, 1747–1776, I, pp ...
... whole of the season were by Shakespeare.. The same comedies and tragedies went on appearing year by year' (Theatre in the Age of Garrick, p. 196). The statistics of H.W.Pedicord27 and G.W. Stone (The London Stage, 1747–1776, I, pp ...
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