The World's Perspective: John Webster and the Jacobean Drama

accept action Antony and Cleopatra Antony's apparent attitudes becomes Bosola Bracciano brother Bussy D'Ambois Bussy's challenge Chapman characters city comedy Cocledemoy comedy's comic Contarino conventional Coriolanus Coriolanus's Cornelia corruption court courtiers critics cynical death deeds denies Despite detachment Devil's Law-Case disguise distance dramatic dramatists Duchess of Malfi Duke Dutch Courtesan explore Ferdinand's final Flamineo Francisco Freevill Freevill's genre goals hero hero's heroic honor human ideal individual intriguer Jacobean Tragedy John Webster Jolenta lack Lodovico lovers Lucio Machiavel Malcontent manipulation marriage Marston Measure for Measure Middleton mocking Monsieur moral moralists murder nature offers passion perspective play play's plot plot's political protagonist refuses Renaissance response reveals revenge revenge play Revenger's Tragedy rhetorical role romantic Romelio satiric scene seems self-conscious sense sexual Shakespeare share social stature structure suggests Tamyra Tharsalio theatrical tion traditional tragedy's tragic tragicomedy University Press values Vincentio virtue Vittoria White Devil Widow's Tears witty worldly