Shakespeare Criticism: A Selection, 1623-1840Oxford University Press, 1961 - Počet stran: 371 Includes works from John Heminge and Henry Condell (1623) to Carlyle (1840). |
Vyhledávání v knize
Výsledky 1-3 z 43
Strana 73
... force . If human nature were destroyed , and no monument were left of it except his works , other beings might know what man was from those writings . Boileau . You say he painted all characters , from kings down to peasants , with ...
... force . If human nature were destroyed , and no monument were left of it except his works , other beings might know what man was from those writings . Boileau . You say he painted all characters , from kings down to peasants , with ...
Strana 102
... force , or whether he had the common helps of scholastick education , the precepts of critical science , and the examples of ancient authours . There has always prevailed a tradition , that Shake- speare wanted learning , that he had no ...
... force , or whether he had the common helps of scholastick education , the precepts of critical science , and the examples of ancient authours . There has always prevailed a tradition , that Shake- speare wanted learning , that he had no ...
Strana 292
... force of passion , this tug and war of the elements of our being , this firm faith in filial piety , and the giddy anarchy and whirling tumult of the thoughts at finding this prop failing it , the contrast be- tween the fixed ...
... force of passion , this tug and war of the elements of our being , this firm faith in filial piety , and the giddy anarchy and whirling tumult of the thoughts at finding this prop failing it , the contrast be- tween the fixed ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
Další části 15 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
action admiration appear audience Banquo Beaumont and Fletcher beauty Ben Johnson Caliban censure character circumstances comedy Courage criticism daughters delight dialogue drama effect endeavoured English Euripides excellence expressed faculties Falstaff fancy faults feel genius give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth language Lear look Macbeth MAURICE MORGANN ment mind moral murther nature never numbers object observation occasion Othello passages passion perhaps play poet poetic poetry Polonius possessed praise principles Prospero qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles speare speech spirit stage supposed thee thing thou thought thro tion tragedy true truth unity Venus and Adonis Voltaire whole words writers