Shakespeare Criticism: A Selection, 1623-1840Oxford University Press, 1961 - Počet stran: 371 Includes works from John Heminge and Henry Condell (1623) to Carlyle (1840). |
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Strana 49
... hand that Shakespear had none at all ; and because Shakespear had much the most wit and fancy , it was retorted on the other , that Johnson wanted both . Because Shakespear borrowed nothing , it was said that Ben Johnson borrowed every ...
... hand that Shakespear had none at all ; and because Shakespear had much the most wit and fancy , it was retorted on the other , that Johnson wanted both . Because Shakespear borrowed nothing , it was said that Ben Johnson borrowed every ...
Strana 64
... , and he exclaims , full of the idea of its un- paralleled cruelty , -Filial ingratitude ! Is it not , as this mouth should tear this hand For lifting food to it ! — He then changes his stile , and vows with impotent 64 JOSEPH WARTON.
... , and he exclaims , full of the idea of its un- paralleled cruelty , -Filial ingratitude ! Is it not , as this mouth should tear this hand For lifting food to it ! — He then changes his stile , and vows with impotent 64 JOSEPH WARTON.
Strana 175
... hands of equal efficacy ; he needs no selection ; he converts every thing into excellence ; nothing is too great ... hand does he prepare and scatter his spells ! The Understand- ing must , in the first place , be subdued ; and lo ...
... hands of equal efficacy ; he needs no selection ; he converts every thing into excellence ; nothing is too great ... hand does he prepare and scatter his spells ! The Understand- ing must , in the first place , be subdued ; and lo ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
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action admiration appear audience Banquo Beaumont and Fletcher beauty Ben Johnson Caliban censure character circumstances comedy Courage criticism daughters delight dialogue drama effect endeavoured English Euripides excellence expressed faculties Falstaff fancy faults feel genius give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth language Lear look Macbeth MAURICE MORGANN ment mind moral murther nature never numbers object observation occasion Othello passages passion perhaps play poet poetic poetry Polonius possessed praise principles Prospero qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles speare speech spirit stage supposed thee thing thou thought thro tion tragedy true truth unity Venus and Adonis Voltaire whole words writers