Shakespeare Criticism: A Selection, 1623-1840Oxford University Press, 1961 - Počet stran: 371 Includes works from John Heminge and Henry Condell (1623) to Carlyle (1840). |
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Strana 62
... heart ! my rising heart ! -- but down . By which single line , the inexpressible anguish of his mind , and the dreadful conflict of opposite passions with which it is agitated , are more forcibly expressed , than by the long and ...
... heart ! my rising heart ! -- but down . By which single line , the inexpressible anguish of his mind , and the dreadful conflict of opposite passions with which it is agitated , are more forcibly expressed , than by the long and ...
Strana 68
... heart , see ! they bark at me . He again resumes his imaginary power , and orders them to anatomize Regan ; ' See what breeds about her heart- Is there any cause in nature that makes these hard hearts ? You , Sir , ' speaking to Edgar ...
... heart , see ! they bark at me . He again resumes his imaginary power , and orders them to anatomize Regan ; ' See what breeds about her heart- Is there any cause in nature that makes these hard hearts ? You , Sir , ' speaking to Edgar ...
Strana 335
... heart of man- -if all at once he should hear the death - like stillness broken up by the sound of wheels rattling ... heart , and the entrance of the fiendish heart was to be expressed and made sensible . Another world has stept in ; and ...
... heart of man- -if all at once he should hear the death - like stillness broken up by the sound of wheels rattling ... heart , and the entrance of the fiendish heart was to be expressed and made sensible . Another world has stept in ; and ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
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action admiration appear audience Banquo Beaumont and Fletcher beauty Ben Johnson Caliban censure character circumstances comedy Courage criticism daughters delight dialogue drama effect endeavoured English Euripides excellence expressed faculties Falstaff fancy faults feel genius give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth language Lear look Macbeth MAURICE MORGANN ment mind moral murther nature never numbers object observation occasion Othello passages passion perhaps play poet poetic poetry Polonius possessed praise principles Prospero qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles speare speech spirit stage supposed thee thing thou thought thro tion tragedy true truth unity Venus and Adonis Voltaire whole words writers