Shakespeare Criticism: A Selection, 1623-1840Oxford University Press, 1961 - Počet stran: 371 Includes works from John Heminge and Henry Condell (1623) to Carlyle (1840). |
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Strana 167
... nature ; a principle , which prefers death to shame , but which always refers itself , in conformity to its own nature , to the prevailing modes of honour , and the fashions of the age . But Natural courage is another thing : It is ...
... nature ; a principle , which prefers death to shame , but which always refers itself , in conformity to its own nature , to the prevailing modes of honour , and the fashions of the age . But Natural courage is another thing : It is ...
Strana 176
... nature may be obtained ; a nature of effects only , to which neither the relations of place , or continuity of time , are always essential . Nature , condescending to the faculties and apprehensions of man , has drawn through human life ...
... nature may be obtained ; a nature of effects only , to which neither the relations of place , or continuity of time , are always essential . Nature , condescending to the faculties and apprehensions of man , has drawn through human life ...
Strana 364
... Nature too , deep as Nature herself . I find a great truth in this saying . Shakspeare's Art is not Artifice ; the noblest worth of it is not there by plan or precon- trivance . It grows up from the deeps of Nature , through this noble ...
... Nature too , deep as Nature herself . I find a great truth in this saying . Shakspeare's Art is not Artifice ; the noblest worth of it is not there by plan or precon- trivance . It grows up from the deeps of Nature , through this noble ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
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action admiration appear audience Banquo Beaumont and Fletcher beauty Ben Johnson Caliban censure character circumstances comedy Courage criticism daughters delight dialogue drama effect endeavoured English Euripides excellence expressed faculties Falstaff fancy faults feel genius give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth language Lear look Macbeth MAURICE MORGANN ment mind moral murther nature never numbers object observation occasion Othello passages passion perhaps play poet poetic poetry Polonius possessed praise principles Prospero qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles speare speech spirit stage supposed thee thing thou thought thro tion tragedy true truth unity Venus and Adonis Voltaire whole words writers