Shakespeare Criticism: A Selection, 1623-1840Oxford University Press, 1961 - Počet stran: 371 Includes works from John Heminge and Henry Condell (1623) to Carlyle (1840). |
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Strana 81
... never seen , conversing in a language which was never heard , upon topicks which will never arise in the com- merce of mankind . But the dialogue of this authour is often so evidently determined by the incident which produces it , and ...
... never seen , conversing in a language which was never heard , upon topicks which will never arise in the com- merce of mankind . But the dialogue of this authour is often so evidently determined by the incident which produces it , and ...
Strana 196
... never earn it for themselves by reading , and the intellectual acquisition gained this way may , for aught I know , be inestimable ; but I am not arguing that Hamlet should not be acted , but how much Hamlet is made another thing by ...
... never earn it for themselves by reading , and the intellectual acquisition gained this way may , for aught I know , be inestimable ; but I am not arguing that Hamlet should not be acted , but how much Hamlet is made another thing by ...
Strana 246
... never promulgates any party tenets . He is always the philosopher and the moralist , but at the same time with a profound venera- tion for all the established institutions of society , and for those classes which form the permanent ...
... never promulgates any party tenets . He is always the philosopher and the moralist , but at the same time with a profound venera- tion for all the established institutions of society , and for those classes which form the permanent ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
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action admiration appear audience Banquo Beaumont and Fletcher beauty Ben Johnson Caliban censure character circumstances comedy Courage criticism daughters delight dialogue drama effect endeavoured English Euripides excellence expressed faculties Falstaff fancy faults feel genius give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth language Lear look Macbeth MAURICE MORGANN ment mind moral murther nature never numbers object observation occasion Othello passages passion perhaps play poet poetic poetry Polonius possessed praise principles Prospero qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles speare speech spirit stage supposed thee thing thou thought thro tion tragedy true truth unity Venus and Adonis Voltaire whole words writers