Shakespeare Criticism: A Selection, 1623-1840Oxford University Press, 1961 - Počet stran: 371 Includes works from John Heminge and Henry Condell (1623) to Carlyle (1840). |
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Strana 154
... object than some old fantastic Oak , or grotesque Rock , may be the object of a morning's ride ; yet being proposed as such , may serve to limit the dis- tance , and shape the course : The real object is Exercise , and the Delight which ...
... object than some old fantastic Oak , or grotesque Rock , may be the object of a morning's ride ; yet being proposed as such , may serve to limit the dis- tance , and shape the course : The real object is Exercise , and the Delight which ...
Strana 177
... objects , with precision both of feature and of form . But as reason has its personifica- tions , so has passion . - Every passion has its Object , tho ' often distant and obscure ; -to be brought nearer then , and rendered more ...
... objects , with precision both of feature and of form . But as reason has its personifica- tions , so has passion . - Every passion has its Object , tho ' often distant and obscure ; -to be brought nearer then , and rendered more ...
Strana 361
... objects , a Falstaff , an Othello , a Juliet , a Coriolanus ; sets them all forth to us in their round completeness ... object ; you may say what he himself says of Shakspeare : ' His characters are like watches with dial - plates of ...
... objects , a Falstaff , an Othello , a Juliet , a Coriolanus ; sets them all forth to us in their round completeness ... object ; you may say what he himself says of Shakspeare : ' His characters are like watches with dial - plates of ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
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action admiration appear audience Banquo Beaumont and Fletcher beauty Ben Johnson Caliban censure character circumstances comedy Courage criticism daughters delight dialogue drama effect endeavoured English Euripides excellence expressed faculties Falstaff fancy faults feel genius give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth language Lear look Macbeth MAURICE MORGANN ment mind moral murther nature never numbers object observation occasion Othello passages passion perhaps play poet poetic poetry Polonius possessed praise principles Prospero qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles speare speech spirit stage supposed thee thing thou thought thro tion tragedy true truth unity Venus and Adonis Voltaire whole words writers