Shakespeare Criticism: A Selection, 1623-1840Oxford University Press, 1961 - Počet stran: 371 Includes works from John Heminge and Henry Condell (1623) to Carlyle (1840). |
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Strana 79
... once derive from personal allusions , local customs , or temporary opinions , have for many years been lost ; and every topick of mer- riment or motive of sorrow , which the modes of artificial life afforded him , now only obscure the ...
... once derive from personal allusions , local customs , or temporary opinions , have for many years been lost ; and every topick of mer- riment or motive of sorrow , which the modes of artificial life afforded him , now only obscure the ...
Strana 176
... once wake to the truth of things , or recognize the laws of existence.- On such an occasion , a fellow , like Rymer , waking from his trance , shall lift up his Constable's staff , and charge this great Magician , this daring practicer ...
... once wake to the truth of things , or recognize the laws of existence.- On such an occasion , a fellow , like Rymer , waking from his trance , shall lift up his Constable's staff , and charge this great Magician , this daring practicer ...
Strana 258
... once com- mence the action so as to excite a curiosity for the ex- planation in the following scenes , as in the storm of wind and waves , and the boatswain in the Tempest , in- stead of anticipating our curiosity , as in most other ...
... once com- mence the action so as to excite a curiosity for the ex- planation in the following scenes , as in the storm of wind and waves , and the boatswain in the Tempest , in- stead of anticipating our curiosity , as in most other ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
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action admiration appear audience Banquo Beaumont and Fletcher beauty Ben Johnson Caliban censure character circumstances comedy Courage criticism daughters delight dialogue drama effect endeavoured English Euripides excellence expressed faculties Falstaff fancy faults feel genius give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth language Lear look Macbeth MAURICE MORGANN ment mind moral murther nature never numbers object observation occasion Othello passages passion perhaps play poet poetic poetry Polonius possessed praise principles Prospero qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles speare speech spirit stage supposed thee thing thou thought thro tion tragedy true truth unity Venus and Adonis Voltaire whole words writers