Shakespeare Criticism: A Selection, 1623-1840Oxford University Press, 1961 - Počet stran: 371 Includes works from John Heminge and Henry Condell (1623) to Carlyle (1840). |
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Strana 48
... particular pas- sages : and the speeches copy'd from Plutarch in Corio- lanus may , I think , as well be made an instance of his learning , as those copy'd from Cicero in Catiline , of Ben Johnson's . The manners of other nations in ...
... particular pas- sages : and the speeches copy'd from Plutarch in Corio- lanus may , I think , as well be made an instance of his learning , as those copy'd from Cicero in Catiline , of Ben Johnson's . The manners of other nations in ...
Strana 121
... particular applica- tion . He is knowing in retrospect , and ignorant in fore- sight . While he depends upon his memory , and can draw from his repositories of knowledge , he utters weighty sentences , and gives useful counsel ; but as ...
... particular applica- tion . He is knowing in retrospect , and ignorant in fore- sight . While he depends upon his memory , and can draw from his repositories of knowledge , he utters weighty sentences , and gives useful counsel ; but as ...
Strana 180
... particular part a relish of the whole , and of the whole to every particular part ; -alike the same incongruous , identical Falstaff , whether to the grave Chief Justice he vainly talks of his youth , and offers to caper for a thousand ...
... particular part a relish of the whole , and of the whole to every particular part ; -alike the same incongruous , identical Falstaff , whether to the grave Chief Justice he vainly talks of his youth , and offers to caper for a thousand ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
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action admiration appear audience Banquo Beaumont and Fletcher beauty Ben Johnson Caliban censure character circumstances comedy Courage criticism daughters delight dialogue drama effect endeavoured English Euripides excellence expressed faculties Falstaff fancy faults feel genius give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth language Lear look Macbeth MAURICE MORGANN ment mind moral murther nature never numbers object observation occasion Othello passages passion perhaps play poet poetic poetry Polonius possessed praise principles Prospero qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles speare speech spirit stage supposed thee thing thou thought thro tion tragedy true truth unity Venus and Adonis Voltaire whole words writers