Shakespeare Criticism: A Selection, 1623-1840Oxford University Press, 1961 - Počet stran: 371 Includes works from John Heminge and Henry Condell (1623) to Carlyle (1840). |
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Strana 95
... represented , the real and poetical duration is the same . If , in the first act , preparations for war against Mithridates are represented to be made in Rome , the event of the war may , without absurdity , be represented , in the ...
... represented , the real and poetical duration is the same . If , in the first act , preparations for war against Mithridates are represented to be made in Rome , the event of the war may , without absurdity , be represented , in the ...
Strana 126
... represented by him , agree in nothing but their fortunes . The periods of history , from which the subjects are taken , are such as at the best can be depended on only for some principal facts ; but not for the minute detail , by which ...
... represented by him , agree in nothing but their fortunes . The periods of history , from which the subjects are taken , are such as at the best can be depended on only for some principal facts ; but not for the minute detail , by which ...
Strana 216
... represented the animal impulse itself , so as to preclude all sympathy with it , by dissipating the reader's notice among the thousand outward images , and now beautiful , now fanciful circumstances , which form its dresses and its ...
... represented the animal impulse itself , so as to preclude all sympathy with it , by dissipating the reader's notice among the thousand outward images , and now beautiful , now fanciful circumstances , which form its dresses and its ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
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action admiration appear audience Banquo Beaumont and Fletcher beauty Ben Johnson Caliban censure character circumstances comedy Courage criticism daughters delight dialogue drama effect endeavoured English Euripides excellence expressed faculties Falstaff fancy faults feel genius give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth language Lear look Macbeth MAURICE MORGANN ment mind moral murther nature never numbers object observation occasion Othello passages passion perhaps play poet poetic poetry Polonius possessed praise principles Prospero qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles speare speech spirit stage supposed thee thing thou thought thro tion tragedy true truth unity Venus and Adonis Voltaire whole words writers