5 10 15 20 25 spect, which he would have every one else The distinguishing dress of an undergraduate Hooker had been a servitor at Oxford. shirt 40 45 50 55 diametrically the reverse of his own. Old W was a little, busy, cringing tradesman, who, with his son upon his arm, would stand bowing and scraping, cap in hand, 5 to anything that wore the semblance of a gown-insensible to the winks and opener remonstrances of the young man, to whose chamber-fellow, or equal in standing, perhaps, he was thus obsequiously and gratuitously ducking. Such a state of things could not last. W- must change the air of Oxford or be suffocated. He chose the former; and let the sturdy moralist, who strains the point of the filial duties as high as they can bear, censure the dereliction; he cannot estimate the struggle. I stood with W, the last afternoon I ever saw him, under the eaves of his paternal dwelling. It was in the fine lane leading from the High-street to the back of College, where W- kept his rooms. He seemed thoughtful, and more reconciled. I ventured to rally him-finding him in a better mood-upon a representation of the Artist Evangelist, which the old man, whose affairs were beginning to flourish, had caused to be set up in a splendid sort of frame over his really handsome shop, either as a token of prosperity, or badge of gratitude to his saint. W looked up at the Luke, and, like Satan, "knew his mounted sign-and fled. ''2 A letter on his father's table the next morning, announced that he had accepted a commission in a regiment about to embark for Portugal. He was among the first who perished before the walls of St. Sebastian. 1 I do not know how, upon a subject which I began with treating half-seriously, I should have fallen upon a recital so eminently painful; but this theme of poor relationship is replete with so much matter for tragic as well as comic associations, that it is difficult to keep the account distinct without blending. The earliest impressions which I received on this matter are certainly not attended with anything painful, or very humiliating, in the recalling. At my father's table (no very splendid one) was to be found, every Saturday, the mysterious figure of an aged gentleman, clothed in neat black, of a sad yet comely appearance. His deportment was of the essence of gravity; his words few or none; and I was not to make a noise in his presence. I had little inclination to have done so-for my cue was 1 St. Luke, by tradition a painter as well as a physician. 2 Paradise Lost, 4, 1013. 5 15 man really ruffled, and I remember with anguish the thought that came over me: "Perhaps he will never come here again." He had been pressed to take another plate of the viand, which I have already mentioned as the indispensable concomitant of his visits. He had refused, with a resistance amounting to rigor-when my aunt, an old Lincolnian, but who had something of this, 10 in common with my cousin Bridget, that she would sometimes press civility out of season-uttered the following memorable application-"Do take another slice, Mr. Billet, for you do not get pudding every day." The old gentleman said nothing at the time-but he took occasion in the course of the evening, when some argument had intervened between them, to utter with an emphasis which chilled the company, and which chills me now as I write it-"Woman, you are superannuated." John Billet did not survive long, after the digesting of this affront; but he survived long enough to assure me that peace was actually restored! and, if I remember aright, another pudding was discreetly substituted in the place of that which had occasioned the offence. He died at the Mint (Anno 1781) where he had long held, what he accounted, a comfortable independence; and with five pounds, fourteen shillings, and a penny, which were found in his escrutoire after his decease, left the world, blessing God that he had enough to bury him, and that he had never been obliged to any man for a sixpence. This was-a Poor Relation. 20 25 30 to admire in silence. A particular elbow Law students. 50 SANITY OF TRUE GENIUS So far from the position holding true, that great wit (or genius, in our modern way of speaking) has a necessary alliance with insanity, the greatest wits, on the contrary, will ever be found to be the sanest writers. It is impossible for the mind to conceive of a mad Shakspeare. The greatness of wit, by which the poetic talent is here chiefly to be understood, manifests itself in the admirable balance of all the faculties. Madness is the disproportionate straining or excess of any one of them. "So strong a wit." says Cowley, speaking of a poetical friend, "" -did Nature to him frame, 1 On the Death of Mr. William Hervey, 97-100. 5 10 15 20 25 The ground of the mistake is that men, finding in the raptures of the higher poetry a condition of exaltation, to which they have no parallel in their own experience, besides the spurious resemblance of it in dreams and fevers, impute a state of dreaminess and fever to the poet. But the true poet dreams being awake. He is not possessed by his subject, but has dominion over it. In the groves of Eden he walks familiar as in his native paths. He ascends the empyrean heaven, and is not intoxicated. He treads the burning marl1 without dismay; he wins his flight without self-loss through realms of chaos "and old night."2 Or if, abandoning himself to that severer chaos of a "human mind untuned,'' he is content awhile to be mad with Lear, or to hate mankind (a sort of madness) with Timon, neither is that madness, nor the misanthropy, so unchecked, but that,-never letting the reins of reason wholly go, while most he seems to do so,-he has his better genius still whispering at his ear, with the good servant Kent suggesting saner counsels, or with the honest steward Flavius recommending kindlier resolutions.5 Where he seems most to recede from humanity, he will be found the truest to it. From beyond the scope of Nature if he summon possible existences, he subjugates them to the law of her consistency. He is beautifully loyal to that sovereign directress, even when he appears most to betray and desert her. His ideal tribes submit to policy; his very monsters are tamed to his hand, even as that wild sea-brood, shepherded by Proteus. He tames, and he clothes them with attributes of flesh and blood, till they wonder at themselves, like Indian Islanders forced to submit to European vesture. Caliban, the Witches, are as true to the laws of their own nature (ours with a difference) as Othello, Hamlet, and Macbeth. Herein the great and little wits are differenced; 45 that if the latter wander ever so little from nature or actual existence, they lose themselves and their readers. Their phantoms are lawless; their visions nightmares. They do not create, which implies shaping and consistency. Their imaginations are not active-for to be active is to call something into act and form-but passive, as men in sick dreams. For the super-natural, or something super-added to what we know of 1 earth (See Paradise Lost, 1, 295.) Paradise Lost, 1, 543. 3 King Lear, IV, 7, 16-17. King Lear, I, 1, 146 ff. Timon of Athens, 11, 2, 141 ft. 30 35 40 50 55 nature, they give you the plainly nonnatural. And if this were all, and that these mental hallucinations were discoverable only in the treatment of subjects out of nature, or transcending it, the judgment might with some plea be pardoned if it ran riot, and a little wantonized:1 but even in the describing of real and everyday life, that which is before their eyes, one of thes lesser wits shall more deviate from natureshow more of that inconsequence, which has a natural alliance with frenzy,-than a great genius in his "maddest fits," as Withers somewhere calls them.2 We appeal to any one that is acquainted with the common run of Lane's novels,-as they existed some twenty or thirty years back,-those scanty intellectual viands of the whole female reading public, till a happier genius arose, and expelled forever the innutritious phantoms, -whether he has not found his brain more "betossed," his memory more puzzled, his sense of when and where more confounded, among the improbable events, the incoherent incidents, the inconsistent characters, or no-characters, of some third-rate love intrigue-where the persons shall be a Lord Glendamour and a Miss Rivers, and the scene only alternate between Bath and Bond-street-a more bewildering dreaminess induced upon him than he has felt wandering over all the fairy grounds of Spenser. In the productions we refer to, nothing but names and places is familiar; the persons are neither of this world nor of any other conceivable one; an endless string of activities without purpose, of purposes destitute of motive:-we meet phantoms in our known walks; fantasques only christened. In the poet we have names which announce fiction; and we have absolutely no place at all, for the things and persons of The Fairy Queen prate not of their "whereabout." But in their inner nature, and the law of their speech and actions, we are at home and upon acquainted ground. The one turns life into a dream; the other to the wildest dreams gives the sobrieties of everyday occurrences. By what subtile art of tracing the mental processes it is effected, we are not philosophers enough to explain, but in that wonderful episode of the cave of Mammon, in which the Money God appears first in the lowest form of a miser, is then a worker 1 unrestrained 2 See The Shepheard's Hunting, Eclogue 4, 410. Probably Scott. Romeo and Juliet, V, 3, 76. 5 whims Macbeth, II, 1, 58. The Faerie Queene, 11, 7. of metals, and becomes the god of all the treasures of the world; and has a daughter, Ambition, before whom all the world kneels for favors with the Hesperian fruit,1 the waters of Tantalus, with Pilate washing his hands vainly, but not impertinently, in the same stream-that we should be at one moment in the cave of an old hoarder of treasures, at the next at the forge of the Cyclops, in a palace and yet in hell, all at once, with the shifting mutations of the most rambling dream, and our judgment yet all the time awake, and neither able nor willing to detect the fallacy,-is a proof of that hidden sanity which still guides the pcet in his widest seeming-aberrations. It is not enough to say that the whole episode is a copy of the mind's conceptions. in sleep; it is, in some sort-but what a copy! Let the most romantic of us, that has been entertained all night with the spectacle of some wild and magnificent vision, recombine it in the morning, and try it by his waking judgment. That which appeared so shifting, and yet so coherent, while that faculty was passive, when it comes under cool examination, shall appear so reasonless and so unlinked, that we are ashamed to have been so deluded; and to have taken, though but in sleep, a monster for a god. But the transitions in this episode are every whit as violent as in the most extravagant dream, and yet the waking judgment ratifies them. When I heard of the death of Coleridge, it was without grief. It seemed to me that he long had been on the confines of the next world, that he had a hunger for eternity. I grieved then that I could not grieve. But since, I feel how great a part he was of me. His great and dear spirit haunts me. I cannot think a thought, I cannot make a eriticism on men or books, without an ineffectual turning and reference to him. He was the proof and touchstone of all my cogitations. He was a Grecian3 (or in the first form) at Christ's Hospital, where I was deputy Grecian; and the same subordination and deference to him I have pre 1 Golden apples from the mythological garden of Hesperides. 10 1 served through a life-long acquaintance. Great in his writings, he was greatest in his conversation. In him was disproved that old maxim that we should allow every one 5 his share of talk. He would talk from morn to dewy eve, nor cease till far midnight, yet who ever would interrupt him,who would obstruct that continuous flow of converse, fetched from Helicon or Zion? He had the tact of making the unintelligible seem plain. Many who read the abstruser parts of his Friend would complain that his words did not answer to his spoken wisdom. They were identical. But he had a tone in oral delivery, which seemed to convey sense to those who were otherwise imperfect recipients. He was my fifty-yearsold friend without a dissension. Never saw I his likeness, nor probably the world can see again. I seemed to love the house he died at more passionately than when he lived. I love the faithful Gilmans2 more than while they exercised their virtues towards him living. What was his mansion is consecrated to me a chapel. 15 20 25 15 Nor shield immense nor coat of massive mail, 1 See Paradise Lost, 1, 742-43. 2 Coleridge was a frequent visitor at the home of the Gilmans, in Highgate. They cared for him at the time of his last illness and death. |