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Sir James Thornhill, John Ellis his Pupil, and the
Property left by Salvator Rosa at his Death
Michael Angelo, as Painter, Sculptor, and Architect..
Guido Reni and the Roman Tailor
The Academy of Domenichino, and the School of Sal-
vator Rosa
Pope Barberini and Bernini
59.
60
64
.....
ib.
65
Parmegiano's Introductory Pictures
Vicissitudes of Art, after the Death of Augustus
Francanzani and Salvator Rosa
Rubens' Allegories in Whitehall Chapel
Page
86
87
88
89
91
92
93
94
95
96
97
99
Correggio's Grand Cupola of the Church of St. John
The Florentine Brutus and Michael Angelo
Hogarth's Opinion of Genius
W. Vandevelde and Naval Connoisseurs
....
111
113
.... 114
Comparison between Ancient and Modern Artists ...
Morland's Pigs
Some Account of the Colossal Bust in the British
Museum, said to be part of the celebrated Statue of
Memnon
The Notte of Correggio
115
120
A Slave Merchant's Estimate of a Poet and a Painter 122
........
153
Norwich Churchwarden and the Altar-Piece
Cowley's Instructions for a Picture
.......
Removal of the Sculptures from the Parthenon
Carracci's Opinion of Correggio's St. Jerome
Ode on a distant Prospect of Dulwich College
Sale of Pictures by Sir Joshua Reynolds, in 1823
The Temple of Theseus
The Banker and the Painter
Professor Fuseli's Definition of the Style of Rubens .. 165
Dialogues by Fenelon on two of Poussin's Pictures.... 207
The celebrated Picture of the Vision of St. Jerome, by