Yale Studies in English, Svazek 341908 |
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Strana ii
... lacking in the London copy , were obtained from the perfect one at Oxford . Those two are the only copies of this 1631 edition of The New Inn known to exist . Gifford writes : ' The only play which , according ii Introduction.
... lacking in the London copy , were obtained from the perfect one at Oxford . Those two are the only copies of this 1631 edition of The New Inn known to exist . Gifford writes : ' The only play which , according ii Introduction.
Strana ii
... lacking in the London copy , were obtained from the perfect one at Oxford . Those two are the only copies of this 1631 edition of The New Inn known to exist . Gifford writes : ' The only play which , according ii Introduction.
... lacking in the London copy , were obtained from the perfect one at Oxford . Those two are the only copies of this 1631 edition of The New Inn known to exist . Gifford writes : ' The only play which , according ii Introduction.
Strana iii
Gifford writes : ' The only play which , according to my opinion , Jonson gave to the press after the folio of 1616 , was The New Inn , which he printed in small 8vo . this year ( 1631 ) , and for the publication of which , he had ...
Gifford writes : ' The only play which , according to my opinion , Jonson gave to the press after the folio of 1616 , was The New Inn , which he printed in small 8vo . this year ( 1631 ) , and for the publication of which , he had ...
Strana x
... write any pageants ; Dekker did that in 1628 and 1629 , as he had done in 1627. " Two masques , Love's Triumph Through Callipolis and Chloridia , were published in 1631. The Magnetic Lady , his next play , was licensed in 1632 . 1 Ed ...
... write any pageants ; Dekker did that in 1628 and 1629 , as he had done in 1627. " Two masques , Love's Triumph Through Callipolis and Chloridia , were published in 1631. The Magnetic Lady , his next play , was licensed in 1632 . 1 Ed ...
Strana xi
... writes : ' This Comedy was brought on the stage on the 19th of January , 1629 , and in the technical language of the Green - room , " completely damn'd , " not being heard to the conclusion . Whatever indignation Jonson might have felt ...
... writes : ' This Comedy was brought on the stage on the 19th of January , 1629 , and in the technical language of the Green - room , " completely damn'd , " not being heard to the conclusion . Whatever indignation Jonson might have felt ...
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Abbott allusion Amadis de Gaule Arch Ass Wks Bartholomew Fair Beaufort Ben Jonson beſt called comedy Court Court of Love Cuerpo Dekker doth edition epitasis euery Fair Wks felfe Ferret feruant fhall firſt Flie fome fuch Gifford giue hath haue Hoft horſe Host houſe Huffle i'the Inne Jonson kiffe King Lady Frampul Lady Wks Lætitia Latimer leaue light Heart London Lord loue Love's Love's Pilgrimage Lovel Magnetic Lady Masque of Augurs matter muſt neuer noble Non-dram o'the oyez phrase Pinnacia play poet Poetaster Prudence Prue Richard Brome says Scan scansion Scene Sejanus sense ſhall ſhe ſhould Soueraigne thee theſe thing thoſe thou Tipto Trundle valour Volpone vpon Whalley wife wild Company word yong
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Strana 285 - A jest's prosperity lies in the ear • Of him that hears it, never in the tongue Of him that makes it : then, if sickly ears, Deaf 'd with the clamours of their own dear groans.
Strana xlvii - And when he perceives this he will abate his violent love of the one, which he will despise and deem a small thing, and will become a lover of all beautiful forms; in the next stage he will consider that the beauty of the mind is more honourable than the beauty of the outward form.
Strana xxxvii - She never told her love, .But let concealment, like a worm i' the bud, Feed on her damask cheek: she pin'd in thought; And, with a green and yellow melancholy, She sat like Patience on a monument, Smiling at grief. Was not this love indeed? We men may say more, swear more: but, indeed, Our shows are more than will ; for still we prove Much in our VOWS , but little in our love. Duke. But died thy sister of her love , my boy? Via. I am all the daughters of my father's house , And all the brothers too...
Strana xxix - beginning his studies of this kind with Every Man in his " Humour and, after, Every Man out of his Humour, and since " continuing in all his plays, especially those of the comic " thread, whereof the New Inn was the last, some recent " humours still, or manners of men that went along with the
Strana xlv - After the division the two parts of man, each desiring his other half, came together, and throwing their arms about one another, entwined in mutual embraces, longing to grow into one...
Strana xlv - Androgynous" is only preserved as a term of reproach. In the second place, the primeval man was round, his back and sides forming a circle; and he had four hands and four feet, one head with two faces, looking opposite ways, set on a round neck and precisely alike; also four ears, two privy members, and the remainder to correspond.
Strana xx - Q,. Horatius Flaccus: His Art of Poetry. Englished By Ben: Jonson. With other Workes of the Author, never Printed before. London : Printed by J. Okes, for John Benson. 1640.
Strana 4 - ... clothes of credit; and possess the stage against the play: to dislike all, but mark nothing. And by their confidence of rising between the acts, in oblique lines, make affidavit to the whole house, of their not understanding one scene. Armed with this prejudice, as the stage furniture, or arrasclothes, they were there, as spectators, away: for the faces in the hangings, and they, beheld alike.
Strana 139 - King's servants ; and more squeamishly beheld and censured by others, the King's subjects, 1629. Now at last set at liberty to the readers, his Majesty's servants and subjects, to be judged, 1631.
Strana 260 - And this perhaps JUNIUS may think " the liberal resentment of a gentleman :" this skulking assassination he may call courage. In all things as in this I hope we differ : " I thought that fortitude had been a mean 'Twixt fear and rashness ; not a lust obscene Or appetite of offending ; but a skill And nice discernment between good and ill. Her ends are honesty and public good, And without these she is not understood.