On whose eyes I might approve Sleep his seat on thy eye-lid 10. [Exit. Enter DEMETRIUS and HELENA, running. Hel. Stay, though thou kill me, sweet Demetrius. Dem. I charge thee, hence, and do not haunt me thus. Hel. O, wilt thou darkling leave me? do not so. Dem. Stay, on thy peril; I alone will go. [Exit DEMETRIUS. Hel. O, I am out of breath in this fond chase! The more my prayer, the lesser is my grace11. Happy is Hermia, wheresoe'er she lies; For she hath blessed and attractive eyes. How came her eyes so bright? Not with salt tears: If so, my eyes are oftener wash'd than hers. No, no, I am as ugly as a bear; For beasts that meet me, run away for fear: 9 Possess. 10 So in Macbeth: 'Sleep shall neither night nor day Hang upon his pent-house lid.' 11 i. e. the lesser my acceptableness, the favour I can gain, Therefore, no marvel, though Demetrius Lys. And run through fire I will, for thy sweet sake. [Waking. Transparent Helena; Nature shows her art 12, That through thy bosom makes me see thy heart. Where is Demetrius? O, how fit a word Is that vile name to perish on my sword! Hel. Do not say so, Lysander; say not so: What though he love your Hermia? Lord, what though? Yet Hermia still loves you: then be content. 13 Who will not change a raven for a dove? 12 The quartos have only-Nature shews art.' The first folio- Nature her shews art.' The second folio changes her to here. Malone thought we should read, Nature shews her art.' Steevens explains the passage thus: Here means in the present instance. On this occasion, says Lysander, the work of Nature resembles that of art, viz. (as our author expresses it in his Lover's Complaint) an object 'glazed with crystal.' I have adopted Malone's emendation. 13 i. e. do not ripen to it. Hel. Wherefore was I to this keen mockery born? Good troth, you do me wrong, good sooth, you do, Should, of another, therefore be abus'd! [Exit. Lys. She sees not Hermia!-Hermia, sleep thou there; And never mayst thou come Lysander near! Of all be hated; but the most of me! And all my powers, address your love and might, To honour Helen, and to be her knight! [Exit. Her. [starting.] Help me, Lysander, help me! do thy best, To pluck this crawling serpent from my breast! ACT III. SCENE I. The same. The Queen of Fairies lying asleep. Enter QUINCE, SNUG, BOTTOM, FLUTE, SNOUT, and STARVELING. Bot. Are we all met? Quin. Pat, pat; and here's a marvellous convenient place for our rehearsal: This green plot shall be our stage, this hawthorn brake our tyring house; and we will do it in action, as we will do it before the duke. Bot. Peter Quince, Quin. What say'st thou, bully Bottom? Bot. There are things in this comedy of Pyramus and Thisby, that will never please. First, Pyramus must draw a sword to kill himself; which the ladies cannot abide. How answer you that? 2 Snout. By'rlakin1, a parlous fear. Star. I believe, we must leave the killing out, when all is done. Bot. Not a whit; I have a device to make all well. Write me a prologue: and let the prologue seem to say, we will do no harm with our swords; and that Pyramus is not killed indeed: and, for the more better assurance, tell them, that I Pyramus am not Pyramus, but Bottom the weaver: This will put them out of fear. Quin. Well, we will have such a prologue; and it shall be written in eight and six3. 1 i. e. by our ladykin or little lady, as ifakins, is a corruption of by my faith. 2 Corrupted from perilous; but used for alarming, amazing. 3 That is in alternate verses of eight and six syllables. Bot. No, make it two more; let it be written in eight and eight. Snout. Will not the ladies be afeard of the lion? Star. I fear it, I promise you. Bot. Masters, you ought to consider with yourselves to bring in, God shield us! a lion among ladies, is a most dreadful thing; for there is not a more fearful wild-fowl than your lion, living; and we ought to look to it. Snout. Therefore, another prologue must tell, he is not a lion. Bot. Nay; you must name his name, and half his face must be seen through the lion's neck; and he himself must speak through, saying thus, or to the same defect,-Ladies, or fair ladies, I would wish you, or, I would request you, or, I would entreat you, not to fear, not to tremble: my life for yours. If you think I come hither as a lion, it were pity of my life: No, I am no such thing; I am a man as other men are:-and there, indeed, let him name his name; and tell them plainly he is Snug the joiner". Quin. Well, it shall be so. But there is two hard things; that is, to bring the moon-light into a chamber: for you know, Pyramus and Thisby meet by moon-light. 4 Terrible. 5 Shakspeare may here allude to an incident said to have occurred in his time, which is recorded in a collection of anecdotes, stories, &c. entitled 'Mery Passages and Jeasts,' MS. Harl. 6395. There was a spectacle presented to Queen Elizabeth upon the water, and among others Harry Goldingham was to represent Arion upon the Dolphin's backe; but finding his voice to be verye hoarse and unpleasant when he came to perform it, he tears off his disguise, and swears he was none of Arion, not he, but even honest Harry Goldingham; which blunt discoverie pleased the queen better than if he had gone through in the right way:-yet he could order his voice to an instrument exceeding well.' VOL. II. Ꮓ |