Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 174
... admiration . He differs essentially from all other writers : Him we may profess rather to feel than to understand ; and it is safer to say , on many occasions , that we are possessed by him , than that we possess him . And no wonder ...
... admiration . He differs essentially from all other writers : Him we may profess rather to feel than to understand ; and it is safer to say , on many occasions , that we are possessed by him , than that we possess him . And no wonder ...
Strana 347
... admiration ; and , among other circumstances , most justly they admired the new language almost with which he is endowed , for the purpose of expressing his fiendish and yet carnal thoughts of hatred to his master . Caliban is evidently ...
... admiration ; and , among other circumstances , most justly they admired the new language almost with which he is endowed , for the purpose of expressing his fiendish and yet carnal thoughts of hatred to his master . Caliban is evidently ...
Strana 355
... admiration of Shakespeare . Landor . He lighted with his golden lamp on high The unknown regions of the human heart , Show'd its bright fountains , show'd its rueful wastes , Its shoals and headlands ; and a tower he rais'd Refulgent ...
... admiration of Shakespeare . Landor . He lighted with his golden lamp on high The unknown regions of the human heart , Show'd its bright fountains , show'd its rueful wastes , Its shoals and headlands ; and a tower he rais'd Refulgent ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers