Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 47
... appears from what we are told by Ben Johnson in his Discoveries , and from the preface of Hem- inges and Condell to ... appear sufficient to mis- lead and depress the greatest Genius upon earth . Nay the more modesty with which such a ...
... appears from what we are told by Ben Johnson in his Discoveries , and from the preface of Hem- inges and Condell to ... appear sufficient to mis- lead and depress the greatest Genius upon earth . Nay the more modesty with which such a ...
Strana 70
... appear as passing in our sight . Unhappy is the player of genius who acts a capital part in what may be termed a descriptive tragedy : after assuming the very passion that is to be represented ; how is he cramped in action , when he ...
... appear as passing in our sight . Unhappy is the player of genius who acts a capital part in what may be termed a descriptive tragedy : after assuming the very passion that is to be represented ; how is he cramped in action , when he ...
Strana 156
... appear- ances in this case are singularly strong and striking ; and so they had need be , to become the ground of so general a censure . We see this extraordinary Character , almost in the first moment of our acquaintance with him , in ...
... appear- ances in this case are singularly strong and striking ; and so they had need be , to become the ground of so general a censure . We see this extraordinary Character , almost in the first moment of our acquaintance with him , in ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers