Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 73
... force . If human nature were destroyed , and no monument were left of it except his works , other beings might know what man was from those writings . Boileau . You say he painted all characters , from kings down to peasants , with ...
... force . If human nature were destroyed , and no monument were left of it except his works , other beings might know what man was from those writings . Boileau . You say he painted all characters , from kings down to peasants , with ...
Strana 102
... force , or whether he had the common helps of scholastick education , the precepts of critical science , and the examples of ancient authours . There has always prevailed a tradition , that Shake- speare wanted learning , that he had no ...
... force , or whether he had the common helps of scholastick education , the precepts of critical science , and the examples of ancient authours . There has always prevailed a tradition , that Shake- speare wanted learning , that he had no ...
Strana 314
... force us upon action , ' while rage with rage doth sympathise ' : the objects of epic poetry affect us through the medium of the imagination , by magni- tude and distance , by their permanence and universality . The one fills us with ...
... force us upon action , ' while rage with rage doth sympathise ' : the objects of epic poetry affect us through the medium of the imagination , by magni- tude and distance , by their permanence and universality . The one fills us with ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers