Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 76
... perhaps find little new in the crouded World . Among his other Excellencies it ought to be remarked , because it has hitherto been unnoticed , that his Heroes are Men , that the Love and Hatred , the Hopes and Fears of his chief ...
... perhaps find little new in the crouded World . Among his other Excellencies it ought to be remarked , because it has hitherto been unnoticed , that his Heroes are Men , that the Love and Hatred , the Hopes and Fears of his chief ...
Strana 108
... perhaps sometimes scenes , which have all the delicacy of Rowe , without his effeminacy . He endeavours indeed commonly to strike by the force and vigour of his dialogue , but he never executes his purpose better , than when he tries to ...
... perhaps sometimes scenes , which have all the delicacy of Rowe , without his effeminacy . He endeavours indeed commonly to strike by the force and vigour of his dialogue , but he never executes his purpose better , than when he tries to ...
Strana 162
A Selection David Nichol Smith. perhaps , but not erazed , by time , reasoning , and authority . In the mean while , it may not perhaps be easy for him to resolve how it comes about , that , whilst we look upon Falstaff as a character of ...
A Selection David Nichol Smith. perhaps , but not erazed , by time , reasoning , and authority . In the mean while , it may not perhaps be easy for him to resolve how it comes about , that , whilst we look upon Falstaff as a character of ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers