Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 178
... reason , or reason assuming the appearance of fancy , governs some real existence ; but the whole of this art is pourtrayed in a single Play ; in the real madness of Lear , in the assumed wildness of Edgar , and in the Professional ...
... reason , or reason assuming the appearance of fancy , governs some real existence ; but the whole of this art is pourtrayed in a single Play ; in the real madness of Lear , in the assumed wildness of Edgar , and in the Professional ...
Strana 193
... reason that they should be so . There is so much in them , which comes not under the province of act- ing , with which eye , and tone , and gesture , have nothing to do . The glory of the scenic art is to personate passion , and the ...
... reason that they should be so . There is so much in them , which comes not under the province of act- ing , with which eye , and tone , and gesture , have nothing to do . The glory of the scenic art is to personate passion , and the ...
Strana 332
... reason is that he allows his understanding to overrule his eyes . His understanding , which includes no intuitive knowledge of the laws of vision , can furnish him with no reason why a line which is known and can be proved to be a ...
... reason is that he allows his understanding to overrule his eyes . His understanding , which includes no intuitive knowledge of the laws of vision , can furnish him with no reason why a line which is known and can be proved to be a ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers