Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 171
... whole ; every part being in fact relative , and inferring all the rest . It is true that the point of action or sentiment , which we are most concerned in , is always held out for our special notice . But who does not perceive that ...
... whole ; every part being in fact relative , and inferring all the rest . It is true that the point of action or sentiment , which we are most concerned in , is always held out for our special notice . But who does not perceive that ...
Strana 229
... whole nations , are ofttimes so enslaved to the habits of their education and immediate circumstances , as not to judge disinterestedly even on those subjects , the very pleasure arising from which consists in its disinterested- ness ...
... whole nations , are ofttimes so enslaved to the habits of their education and immediate circumstances , as not to judge disinterestedly even on those subjects , the very pleasure arising from which consists in its disinterested- ness ...
Strana 360
... whole force of insight that is in the man . He must understand the thing ; according to the depth of his understanding , will the fitness of his answer be . You will try him so . Does like join itself to like ; does the spirit of method ...
... whole force of insight that is in the man . He must understand the thing ; according to the depth of his understanding , will the fitness of his answer be . You will try him so . Does like join itself to like ; does the spirit of method ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers