Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 53
... wonderful , and the wild , to the most pleasing extravagance . The scene is a desolate island ; and the characters ... wonderfully succeeded in his Tempest : the monster Calyban is the creature of his own imagina- THE TEMPEST 53 From The ...
... wonderful , and the wild , to the most pleasing extravagance . The scene is a desolate island ; and the characters ... wonderfully succeeded in his Tempest : the monster Calyban is the creature of his own imagina- THE TEMPEST 53 From The ...
Strana 171
... wonderful facility of compressing , as it were , his own spirit into these images , and of giving alternate animation to the forms . This was not to be done from without ; he must have felt every varied situation , and have spoken thro ...
... wonderful facility of compressing , as it were , his own spirit into these images , and of giving alternate animation to the forms . This was not to be done from without ; he must have felt every varied situation , and have spoken thro ...
Strana 248
... wonderful . There is not one in which he has followed history so minutely , and yet there are few in which he impresses the notion of angelic strength so much ; -perhaps none in which he impresses it more strongly . This is greatly ...
... wonderful . There is not one in which he has followed history so minutely , and yet there are few in which he impresses the notion of angelic strength so much ; -perhaps none in which he impresses it more strongly . This is greatly ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers