Shakespeare: the Art of the DramatistHoughton Mifflin, 1970 - Počet stran: 271 |
Vyhledávání v knize
Výsledky 1-3 z 31
Strana 155
... Cleopatra henceforth dominates the entire stage and our interest focuses upon her until the end . Furthermore , this is not quite the same Cleopatra we have known previously in the play : no longer the magnificent courtesan , she is now ...
... Cleopatra henceforth dominates the entire stage and our interest focuses upon her until the end . Furthermore , this is not quite the same Cleopatra we have known previously in the play : no longer the magnificent courtesan , she is now ...
Strana 198
... Cleopatra refers to her hand " that kings / Have lipp'd , and trembled kiss- ing " ( 2.5.30f . ) , the nouns " peace " and " lip " are made to perform the work of verbs . Or the procedure can be reversed , and verbs put in the place of ...
... Cleopatra refers to her hand " that kings / Have lipp'd , and trembled kiss- ing " ( 2.5.30f . ) , the nouns " peace " and " lip " are made to perform the work of verbs . Or the procedure can be reversed , and verbs put in the place of ...
Strana 211
... Cleopatra's mood , suggesting by its languid sound the sense of her own languor . Such suggestivity of sound is repeatedly found in Shakespeare . As Cleopatra's word music epitomizes her mood at a certain point , so too does the ...
... Cleopatra's mood , suggesting by its languid sound the sense of her own languor . Such suggestivity of sound is repeatedly found in Shakespeare . As Cleopatra's word music epitomizes her mood at a certain point , so too does the ...
Obsah
William Shakespeare 15641616 | 3 |
Plays in Print | 22 |
Plays for the Theater | 33 |
Autorská práva | |
Další části 14 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
1817 LIBRARIES achieved action actors Antony and Cleopatra Antony's appear audience Brutus Cassius characterization characters Comedy of Errors comic conflict Cymbeline death Decretas Desdemona dramatic line dramatist Duke effect Elizabethan Falstaff feel fifth act Folio Globe Hamlet Henry Henry VI history plays human humor Iago imagery images incidents individual irony Jonson Julius Caesar King Lear last plays laughter Love's Labor's Lost Macbeth major marriage Measure for Measure MICHIGAN Midsummer Night's Dream mood move murder never Othello passage passion pattern performances plot line Prince printed problem prose Prospero protagonist quarto reference Richard Richard III roles Romeo and Juliet says scene sense Shake Shakespeare Shakespeare's plays Shakespearian Shrew speaks speare speare's speech stage story style Tempest theater theatrical theme thou tion Titus Andronicus tragedy tragic hero tragicomedies tragicomic Troilus and Cressida Twelfth Night typical comedies UNIVERS verse words young