Shakespeare: the Art of the DramatistHoughton Mifflin, 1970 - Počet stran: 271 |
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Strana 43
... Elizabethan stage in general , and in Shake- speare in particular . Theatrical conventions of the time assumed that any disguise was impenetrable , and the audiences were prepared to accept it as such , no matter how improbable it might ...
... Elizabethan stage in general , and in Shake- speare in particular . Theatrical conventions of the time assumed that any disguise was impenetrable , and the audiences were prepared to accept it as such , no matter how improbable it might ...
Strana 52
... Elizabethan stage was blessedly free of any such direction ; with only two or three weeks between new plays , and at best very scanty rehearsals , there was no op- portunity to develop ingenious and far - fetched productions - even if ...
... Elizabethan stage was blessedly free of any such direction ; with only two or three weeks between new plays , and at best very scanty rehearsals , there was no op- portunity to develop ingenious and far - fetched productions - even if ...
Strana 251
... Elizabethan England , 1959 . Ernest A. Strathmann , Sir Walter Raleigh : A Study in Elizabethan Skepticism , 1951 . E. M. W. Tillyard , The Elizabethan World Picture , 1943 . Curtis Brown Watson , Shakespeare and the Renaissance ...
... Elizabethan England , 1959 . Ernest A. Strathmann , Sir Walter Raleigh : A Study in Elizabethan Skepticism , 1951 . E. M. W. Tillyard , The Elizabethan World Picture , 1943 . Curtis Brown Watson , Shakespeare and the Renaissance ...
Obsah
William Shakespeare 15641616 | 3 |
Plays in Print | 22 |
Plays for the Theater | 33 |
Autorská práva | |
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1817 LIBRARIES achieved action actors Antony and Cleopatra Antony's appear audience Brutus Cassius characterization characters Comedy of Errors comic conflict Cymbeline death Decretas Desdemona dramatic line dramatist Duke effect Elizabethan Falstaff feel fifth act Folio Globe Hamlet Henry Henry VI history plays human humor Iago imagery images incidents individual irony Jonson Julius Caesar King Lear last plays laughter Love's Labor's Lost Macbeth major marriage Measure for Measure MICHIGAN Midsummer Night's Dream mood move murder never Othello passage passion pattern performances plot line Prince printed problem prose Prospero protagonist quarto reference Richard Richard III roles Romeo and Juliet says scene sense Shake Shakespeare Shakespeare's plays Shakespearian Shrew speaks speare speare's speech stage story style Tempest theater theatrical theme thou tion Titus Andronicus tragedy tragic hero tragicomedies tragicomic Troilus and Cressida Twelfth Night typical comedies UNIVERS verse words young