Shakespeare: the Art of the DramatistHoughton Mifflin, 1970 - Počet stran: 271 |
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Strana 54
... Hamlet but perhaps also to his Tom o ' Bedlam in King Lear ( though that designation for a madman antedates Lear ) : " furious Hamlet would presently either break loose like a bear from the stake , or else so set his paws on this dog ...
... Hamlet but perhaps also to his Tom o ' Bedlam in King Lear ( though that designation for a madman antedates Lear ) : " furious Hamlet would presently either break loose like a bear from the stake , or else so set his paws on this dog ...
Strana 182
... Hamlet's overwrought emotional state . Whatever else it may be , Hamlet's prose is surely a shield , a protective coloring to disguise himself and his intentions from his enemies during the central acts of the play . When he first ...
... Hamlet's overwrought emotional state . Whatever else it may be , Hamlet's prose is surely a shield , a protective coloring to disguise himself and his intentions from his enemies during the central acts of the play . When he first ...
Strana 218
... Hamlet is also introduced as a melancholy man , but Shakespeare leads us to form a radically different response towards the melancholy Hamlet from that which is evoked by the melancholy Jaques . In each case the de- sired effect is ...
... Hamlet is also introduced as a melancholy man , but Shakespeare leads us to form a radically different response towards the melancholy Hamlet from that which is evoked by the melancholy Jaques . In each case the de- sired effect is ...
Obsah
William Shakespeare 15641616 | 3 |
Plays in Print | 22 |
Plays for the Theater | 33 |
Autorská práva | |
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1817 LIBRARIES achieved action actors Antony and Cleopatra Antony's appear audience Brutus Cassius characterization characters Comedy of Errors comic conflict Cymbeline death Decretas Desdemona dramatic line dramatist Duke effect Elizabethan Falstaff feel fifth act Folio Globe Hamlet Henry Henry VI history plays human humor Iago imagery images incidents individual irony Jonson Julius Caesar King Lear last plays laughter Love's Labor's Lost Macbeth major marriage Measure for Measure MICHIGAN Midsummer Night's Dream mood move murder never Othello passage passion pattern performances plot line Prince printed problem prose Prospero protagonist quarto reference Richard Richard III roles Romeo and Juliet says scene sense Shake Shakespeare Shakespeare's plays Shakespearian Shrew speaks speare speare's speech stage story style Tempest theater theatrical theme thou tion Titus Andronicus tragedy tragic hero tragicomedies tragicomic Troilus and Cressida Twelfth Night typical comedies UNIVERS verse words young