Shakespeare: the Art of the DramatistHoughton Mifflin, 1970 - Počet stran: 271 |
Vyhledávání v knize
Výsledky 1-3 z 68
Strana 68
... Shake- speare's first decade of writing with the techniques and emphasis of the tragicomic romances of his last years . It is thought that the play was called forth by the occasion of the marriage of King James's daughter , Princess ...
... Shake- speare's first decade of writing with the techniques and emphasis of the tragicomic romances of his last years . It is thought that the play was called forth by the occasion of the marriage of King James's daughter , Princess ...
Strana 73
... Shake- speare learned in one form typically contributed to what he did in another , and nowhere did he learn more than in his construction of plays in the very difficult form of historical drama . Changes in knowledge or in perspective ...
... Shake- speare learned in one form typically contributed to what he did in another , and nowhere did he learn more than in his construction of plays in the very difficult form of historical drama . Changes in knowledge or in perspective ...
Strana 254
... Shake- spearean Ciphers Examined , 1957 . 2. Text The Norton Facsimile of the First Folio of Shakespeare , 1968 , prepared by Charlton Hinman , supersedes all earlier facsimiles and is a monument of scholarship . Professor Hinman's The ...
... Shake- spearean Ciphers Examined , 1957 . 2. Text The Norton Facsimile of the First Folio of Shakespeare , 1968 , prepared by Charlton Hinman , supersedes all earlier facsimiles and is a monument of scholarship . Professor Hinman's The ...
Obsah
William Shakespeare 15641616 | 3 |
Plays in Print | 22 |
Plays for the Theater | 33 |
Autorská práva | |
Další části 14 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
1817 LIBRARIES achieved action actors Antony and Cleopatra Antony's appear audience Brutus Cassius characterization characters Comedy of Errors comic conflict Cymbeline death Decretas Desdemona dramatic line dramatist Duke effect Elizabethan Falstaff feel fifth act Folio Globe Hamlet Henry Henry VI history plays human humor Iago imagery images incidents individual irony Jonson Julius Caesar King Lear last plays laughter Love's Labor's Lost Macbeth major marriage Measure for Measure MICHIGAN Midsummer Night's Dream mood move murder never Othello passage passion pattern performances plot line Prince printed problem prose Prospero protagonist quarto reference Richard Richard III roles Romeo and Juliet says scene sense Shake Shakespeare Shakespeare's plays Shakespearian Shrew speaks speare speare's speech stage story style Tempest theater theatrical theme thou tion Titus Andronicus tragedy tragic hero tragicomedies tragicomic Troilus and Cressida Twelfth Night typical comedies UNIVERS verse words young