Shakespeare: the Art of the DramatistHoughton Mifflin, 1970 - Počet stran: 271 |
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Strana 130
... Tempest is the most tightly con- structed of the tragicomedies , but even here a turning point of sorts is ef- fected when the " three men of sin " are judged by Ariel , and when King Alonso's conscience is awakened , during the magical ...
... Tempest is the most tightly con- structed of the tragicomedies , but even here a turning point of sorts is ef- fected when the " three men of sin " are judged by Ariel , and when King Alonso's conscience is awakened , during the magical ...
Strana 134
... ( Tempest 5.1.27-30 ) Happily , the villains who are left at the end of these plays seem to be at least open to repentance , and many actually express it . Even Caliban - whom Prospero had given up as hopelessly recalcitrant — turns from ...
... ( Tempest 5.1.27-30 ) Happily , the villains who are left at the end of these plays seem to be at least open to repentance , and many actually express it . Even Caliban - whom Prospero had given up as hopelessly recalcitrant — turns from ...
Strana 153
... ( Tempest 5.1.131f . ) . The resolution of a play does not satisfy us by and for itself alone , but only as it accords with the whole of the play , beginning with the early exposition and moving through the central development . In ...
... ( Tempest 5.1.131f . ) . The resolution of a play does not satisfy us by and for itself alone , but only as it accords with the whole of the play , beginning with the early exposition and moving through the central development . In ...
Obsah
William Shakespeare 15641616 | 3 |
Plays in Print | 22 |
Plays for the Theater | 33 |
Autorská práva | |
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1817 LIBRARIES achieved action actors Antony and Cleopatra Antony's appear audience Brutus Cassius characterization characters Comedy of Errors comic conflict Cymbeline death Decretas Desdemona dramatic line dramatist Duke effect Elizabethan Falstaff feel fifth act Folio Globe Hamlet Henry Henry VI history plays human humor Iago imagery images incidents individual irony Jonson Julius Caesar King Lear last plays laughter Love's Labor's Lost Macbeth major marriage Measure for Measure MICHIGAN Midsummer Night's Dream mood move murder never Othello passage passion pattern performances plot line Prince printed problem prose Prospero protagonist quarto reference Richard Richard III roles Romeo and Juliet says scene sense Shake Shakespeare Shakespeare's plays Shakespearian Shrew speaks speare speare's speech stage story style Tempest theater theatrical theme thou tion Titus Andronicus tragedy tragic hero tragicomedies tragicomic Troilus and Cressida Twelfth Night typical comedies UNIVERS verse words young