Shakespeare: the Art of the DramatistHoughton Mifflin, 1970 - Počet stran: 271 |
Vyhledávání v knize
Výsledky 1-3 z 64
Strana 15
... audience was not nearly so diverse : the higher admission prices meant that it was attended largely by the well - to - do . This audience appears to have been rather self - con- sciously sophisticated in its tastes , and the plays which ...
... audience was not nearly so diverse : the higher admission prices meant that it was attended largely by the well - to - do . This audience appears to have been rather self - con- sciously sophisticated in its tastes , and the plays which ...
Strana 116
... audience's emotions are aroused to too high a pitch , and kept there too long , the result very often is what theater people call " illegitimate laughter . " Like the electrical charges which are built up during a storm and discharged ...
... audience's emotions are aroused to too high a pitch , and kept there too long , the result very often is what theater people call " illegitimate laughter . " Like the electrical charges which are built up during a storm and discharged ...
Strana 159
... audience to the story . Between the incident at Caesar's house ( 2.2 ) and the assassination scene ( 3.1 ) nothing happens which is integral to the plot of the tragedy . Two important scenes do , however , intervene , which contribute ...
... audience to the story . Between the incident at Caesar's house ( 2.2 ) and the assassination scene ( 3.1 ) nothing happens which is integral to the plot of the tragedy . Two important scenes do , however , intervene , which contribute ...
Obsah
William Shakespeare 15641616 | 3 |
Plays in Print | 22 |
Plays for the Theater | 33 |
Autorská práva | |
Další části 14 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
1817 LIBRARIES achieved action actors Antony and Cleopatra Antony's appear audience Brutus Cassius characterization characters Comedy of Errors comic conflict Cymbeline death Decretas Desdemona dramatic line dramatist Duke effect Elizabethan Falstaff feel fifth act Folio Globe Hamlet Henry Henry VI history plays human humor Iago imagery images incidents individual irony Jonson Julius Caesar King Lear last plays laughter Love's Labor's Lost Macbeth major marriage Measure for Measure MICHIGAN Midsummer Night's Dream mood move murder never Othello passage passion pattern performances plot line Prince printed problem prose Prospero protagonist quarto reference Richard Richard III roles Romeo and Juliet says scene sense Shake Shakespeare Shakespeare's plays Shakespearian Shrew speaks speare speare's speech stage story style Tempest theater theatrical theme thou tion Titus Andronicus tragedy tragic hero tragicomedies tragicomic Troilus and Cressida Twelfth Night typical comedies UNIVERS verse words young