Shakespeare: the Art of the DramatistHoughton Mifflin, 1970 - Počet stran: 271 |
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Strana 233
... characterization . But this characterization of Decretas is not introduced as an end in itself , for Shakespeare was writing plays with an aesthetic and dramatic unity , not compiling a series of unrelated character sketches . The ...
... characterization . But this characterization of Decretas is not introduced as an end in itself , for Shakespeare was writing plays with an aesthetic and dramatic unity , not compiling a series of unrelated character sketches . The ...
Strana 235
... characterization . Familiarity with these techniques of characterization will lead us to a fuller understanding of Shakespeare's characters on every level of complexity , and should protect us from oversimplifying even the most ...
... characterization . Familiarity with these techniques of characterization will lead us to a fuller understanding of Shakespeare's characters on every level of complexity , and should protect us from oversimplifying even the most ...
Strana 242
... characterization differs from the first three methods in that it supplies an external appraisal in the comments and opinions expressed about one character by another . Shakespeare uses this method with great skill and flexibility ...
... characterization differs from the first three methods in that it supplies an external appraisal in the comments and opinions expressed about one character by another . Shakespeare uses this method with great skill and flexibility ...
Obsah
William Shakespeare 15641616 | 3 |
Plays in Print | 22 |
Plays for the Theater | 33 |
Autorská práva | |
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1817 LIBRARIES achieved action actors Antony and Cleopatra Antony's appear audience Brutus Cassius characterization characters Comedy of Errors comic conflict Cymbeline death Decretas Desdemona dramatic line dramatist Duke effect Elizabethan Falstaff feel fifth act Folio Globe Hamlet Henry Henry VI history plays human humor Iago imagery images incidents individual irony Jonson Julius Caesar King Lear last plays laughter Love's Labor's Lost Macbeth major marriage Measure for Measure MICHIGAN Midsummer Night's Dream mood move murder never Othello passage passion pattern performances plot line Prince printed problem prose Prospero protagonist quarto reference Richard Richard III roles Romeo and Juliet says scene sense Shake Shakespeare Shakespeare's plays Shakespearian Shrew speaks speare speare's speech stage story style Tempest theater theatrical theme thou tion Titus Andronicus tragedy tragic hero tragicomedies tragicomic Troilus and Cressida Twelfth Night typical comedies UNIVERS verse words young