Shakespeare: the Art of the DramatistHoughton Mifflin, 1970 - Počet stran: 271 |
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Strana 139
... distinction between the two types of plays may be epitomized by reference to the propter hoc and the post hoc patterns cited in the Latin treatises on logic . In the propter hoc pattern one things grows out of another as its effect ...
... distinction between the two types of plays may be epitomized by reference to the propter hoc and the post hoc patterns cited in the Latin treatises on logic . In the propter hoc pattern one things grows out of another as its effect ...
Strana 177
... distinction is at best only approximate . Even in so early a play as Love's Labor's Lost the exceptions to the rule ... distinctions do hold up fairly well , where prose is most notable as the speech of clowns and clownish characters ...
... distinction is at best only approximate . Even in so early a play as Love's Labor's Lost the exceptions to the rule ... distinctions do hold up fairly well , where prose is most notable as the speech of clowns and clownish characters ...
Strana 241
... distinctions . Class distinctions , and to a lesser extent professional distinc- tions , are almost always apparent in the style , and personality distinctions are frequently present as well . Thus , Polonius speaks in a self ...
... distinctions . Class distinctions , and to a lesser extent professional distinc- tions , are almost always apparent in the style , and personality distinctions are frequently present as well . Thus , Polonius speaks in a self ...
Obsah
William Shakespeare 15641616 | 3 |
Plays in Print | 22 |
Plays for the Theater | 33 |
Autorská práva | |
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1817 LIBRARIES achieved action actors Antony and Cleopatra Antony's appear audience Brutus Cassius characterization characters Comedy of Errors comic conflict Cymbeline death Decretas Desdemona dramatic line dramatist Duke effect Elizabethan Falstaff feel fifth act Folio Globe Hamlet Henry Henry VI history plays human humor Iago imagery images incidents individual irony Jonson Julius Caesar King Lear last plays laughter Love's Labor's Lost Macbeth major marriage Measure for Measure MICHIGAN Midsummer Night's Dream mood move murder never Othello passage passion pattern performances plot line Prince printed problem prose Prospero protagonist quarto reference Richard Richard III roles Romeo and Juliet says scene sense Shake Shakespeare Shakespeare's plays Shakespearian Shrew speaks speare speare's speech stage story style Tempest theater theatrical theme thou tion Titus Andronicus tragedy tragic hero tragicomedies tragicomic Troilus and Cressida Twelfth Night typical comedies UNIVERS verse words young