Shakespeare: the Art of the DramatistHoughton Mifflin, 1970 - Počet stran: 271 |
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Strana 18
... evidence of the actor Christopher Beeston , who knew Shakespeare and who told his son William Beeston that the dramatist " was a handsome , well - shap'd man . " Other evidence takes us beyond the superficial matter of Shakespeare's ...
... evidence of the actor Christopher Beeston , who knew Shakespeare and who told his son William Beeston that the dramatist " was a handsome , well - shap'd man . " Other evidence takes us beyond the superficial matter of Shakespeare's ...
Strana 28
... evidence , some responsible scholars attribute to Shake- speare's hand three pages in a manuscript of a play called Sir Thomas More . If the identification were certain , we would be better equipped to judge what actual readings lay ...
... evidence , some responsible scholars attribute to Shake- speare's hand three pages in a manuscript of a play called Sir Thomas More . If the identification were certain , we would be better equipped to judge what actual readings lay ...
Strana 34
... evidence that Shakespeare ever did so , and strong evidence that he did not do so . The fact that Shakespeare showed no concern for the fate of his plays outside the theater does not mean that we should therefore limit ourselves to ...
... evidence that Shakespeare ever did so , and strong evidence that he did not do so . The fact that Shakespeare showed no concern for the fate of his plays outside the theater does not mean that we should therefore limit ourselves to ...
Obsah
William Shakespeare 15641616 | 3 |
Plays in Print | 22 |
Plays for the Theater | 33 |
Autorská práva | |
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1817 LIBRARIES achieved action actors Antony and Cleopatra Antony's appear audience Brutus Cassius characterization characters Comedy of Errors comic conflict Cymbeline death Decretas Desdemona dramatic line dramatist Duke effect Elizabethan Falstaff feel fifth act Folio Globe Hamlet Henry Henry VI history plays human humor Iago imagery images incidents individual irony Jonson Julius Caesar King Lear last plays laughter Love's Labor's Lost Macbeth major marriage Measure for Measure MICHIGAN Midsummer Night's Dream mood move murder never Othello passage passion pattern performances plot line Prince printed problem prose Prospero protagonist quarto reference Richard Richard III roles Romeo and Juliet says scene sense Shake Shakespeare Shakespeare's plays Shakespearian Shrew speaks speare speare's speech stage story style Tempest theater theatrical theme thou tion Titus Andronicus tragedy tragic hero tragicomedies tragicomic Troilus and Cressida Twelfth Night typical comedies UNIVERS verse words young