Shakespeare: the Art of the DramatistHoughton Mifflin, 1970 - Počet stran: 271 |
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Strana 110
... feel it , as we feel the greatness of those other generals , Othello and Mark Antony . Nor do we develop any marked sympathy with Titus , for our attention is diverted from him by the frenetic action of the plot , upon which we must ...
... feel it , as we feel the greatness of those other generals , Othello and Mark Antony . Nor do we develop any marked sympathy with Titus , for our attention is diverted from him by the frenetic action of the plot , upon which we must ...
Strana 111
... feeling for Romeo and Juliet is very great , but it is of a different character from that which we feel for those other tragic lovers , Antony and Cleopatra , and it is on an en- tirely different plane from what we feel for Othello and ...
... feeling for Romeo and Juliet is very great , but it is of a different character from that which we feel for those other tragic lovers , Antony and Cleopatra , and it is on an en- tirely different plane from what we feel for Othello and ...
Strana 131
... feel what Lear feels as we never feel what Cym- beline feels . Lear's words not only communicate a knowledge of his passion , but also envelop us in that passion as he declares of Cordelia : I lov'd her most , and thought to set my THE ...
... feel what Lear feels as we never feel what Cym- beline feels . Lear's words not only communicate a knowledge of his passion , but also envelop us in that passion as he declares of Cordelia : I lov'd her most , and thought to set my THE ...
Obsah
William Shakespeare 15641616 | 3 |
Plays in Print | 22 |
Plays for the Theater | 33 |
Autorská práva | |
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1817 LIBRARIES achieved action actors Antony and Cleopatra Antony's appear audience Brutus Cassius characterization characters Comedy of Errors comic conflict Cymbeline death Decretas Desdemona dramatic line dramatist Duke effect Elizabethan Falstaff feel fifth act Folio Globe Hamlet Henry Henry VI history plays human humor Iago imagery images incidents individual irony Jonson Julius Caesar King Lear last plays laughter Love's Labor's Lost Macbeth major marriage Measure for Measure MICHIGAN Midsummer Night's Dream mood move murder never Othello passage passion pattern performances plot line Prince printed problem prose Prospero protagonist quarto reference Richard Richard III roles Romeo and Juliet says scene sense Shake Shakespeare Shakespeare's plays Shakespearian Shrew speaks speare speare's speech stage story style Tempest theater theatrical theme thou tion Titus Andronicus tragedy tragic hero tragicomedies tragicomic Troilus and Cressida Twelfth Night typical comedies UNIVERS verse words young