Shakespeare: the Art of the DramatistHoughton Mifflin, 1970 - Počet stran: 271 |
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Strana 139
... ( kind and unkind ) almost exactly parallels the main plot of Lear and his daughters ( kind and un- kind ) . The two sets of characters are closely interrelated throughout , so that action on either level often has profound effects on the ...
... ( kind and unkind ) almost exactly parallels the main plot of Lear and his daughters ( kind and un- kind ) . The two sets of characters are closely interrelated throughout , so that action on either level often has profound effects on the ...
Strana 154
... kind of suspense we find in Hamlet or in Much Ado , but Shakespeare pro- vides another kind : we wonder how Prospero will react to his triumph , whether he will offer vengeance or mercy , and we wonder how others will react to him and ...
... kind of suspense we find in Hamlet or in Much Ado , but Shakespeare pro- vides another kind : we wonder how Prospero will react to his triumph , whether he will offer vengeance or mercy , and we wonder how others will react to him and ...
Strana 229
... kind of figure , which was popularized in the plays of Ben Jon- son and others . By Jonson's definition , a humorous man is one so con- sistently dominated by one particular quality that all his actions and ideas run in one direction ...
... kind of figure , which was popularized in the plays of Ben Jon- son and others . By Jonson's definition , a humorous man is one so con- sistently dominated by one particular quality that all his actions and ideas run in one direction ...
Obsah
William Shakespeare 15641616 | 3 |
Plays in Print | 22 |
Plays for the Theater | 33 |
Autorská práva | |
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1817 LIBRARIES achieved action actors Antony and Cleopatra Antony's appear audience Brutus Cassius characterization characters Comedy of Errors comic conflict Cymbeline death Decretas Desdemona dramatic line dramatist Duke effect Elizabethan Falstaff feel fifth act Folio Globe Hamlet Henry Henry VI history plays human humor Iago imagery images incidents individual irony Jonson Julius Caesar King Lear last plays laughter Love's Labor's Lost Macbeth major marriage Measure for Measure MICHIGAN Midsummer Night's Dream mood move murder never Othello passage passion pattern performances plot line Prince printed problem prose Prospero protagonist quarto reference Richard Richard III roles Romeo and Juliet says scene sense Shake Shakespeare Shakespeare's plays Shakespearian Shrew speaks speare speare's speech stage story style Tempest theater theatrical theme thou tion Titus Andronicus tragedy tragic hero tragicomedies tragicomic Troilus and Cressida Twelfth Night typical comedies UNIVERS verse words young