Shakespeare: the Art of the DramatistHoughton Mifflin, 1970 - Počet stran: 271 |
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Strana 116
... laughter , often at the most inappropriate points in a play . Unwanted laughter may be aroused by overdone melodrama — and I suspect that the young Shakespeare had more than once heard such laughter from the audi- ences of Titus ...
... laughter , often at the most inappropriate points in a play . Unwanted laughter may be aroused by overdone melodrama — and I suspect that the young Shakespeare had more than once heard such laughter from the audi- ences of Titus ...
Strana 117
... laughter is made thoroughly appropriate to the tragic developments . The derangement of Lady Macbeth , however , was intended to be stark and unrelieved by laughter , as she was portrayed in a sleepwalking scene which avoided the kinds ...
... laughter is made thoroughly appropriate to the tragic developments . The derangement of Lady Macbeth , however , was intended to be stark and unrelieved by laughter , as she was portrayed in a sleepwalking scene which avoided the kinds ...
Strana 161
... laughter as an emotional relief - value at a terribly tense point in his action . With his audi- ence purged by the relief of laughter , Shakespeare is then prepared to con- tinue building up the tension with the assurance that the ...
... laughter as an emotional relief - value at a terribly tense point in his action . With his audi- ence purged by the relief of laughter , Shakespeare is then prepared to con- tinue building up the tension with the assurance that the ...
Obsah
William Shakespeare 15641616 | 3 |
Plays in Print | 22 |
Plays for the Theater | 33 |
Autorská práva | |
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1817 LIBRARIES achieved action actors Antony and Cleopatra Antony's appear audience Brutus Cassius characterization characters Comedy of Errors comic conflict Cymbeline death Decretas Desdemona dramatic line dramatist Duke effect Elizabethan Falstaff feel fifth act Folio Globe Hamlet Henry Henry VI history plays human humor Iago imagery images incidents individual irony Jonson Julius Caesar King Lear last plays laughter Love's Labor's Lost Macbeth major marriage Measure for Measure MICHIGAN Midsummer Night's Dream mood move murder never Othello passage passion pattern performances plot line Prince printed problem prose Prospero protagonist quarto reference Richard Richard III roles Romeo and Juliet says scene sense Shake Shakespeare Shakespeare's plays Shakespearian Shrew speaks speare speare's speech stage story style Tempest theater theatrical theme thou tion Titus Andronicus tragedy tragic hero tragicomedies tragicomic Troilus and Cressida Twelfth Night typical comedies UNIVERS verse words young