Shakespeare: the Art of the DramatistHoughton Mifflin, 1970 - Počet stran: 271 |
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Strana 45
... major alterations in the texts and stage practices . Neither stage could be concealed by the drop of a curtain or revealed by the raising of one , and so neither stage allowed a drama to begin with some sudden and surprising revelation ...
... major alterations in the texts and stage practices . Neither stage could be concealed by the drop of a curtain or revealed by the raising of one , and so neither stage allowed a drama to begin with some sudden and surprising revelation ...
Strana 64
... major elements of their plots , and most of their major characters , were a part of England's historical past . The principal figures in these plays were as familiar to an Elizabethan audience as Washington , Jefferson , Jackson ...
... major elements of their plots , and most of their major characters , were a part of England's historical past . The principal figures in these plays were as familiar to an Elizabethan audience as Washington , Jefferson , Jackson ...
Strana 144
... major action of the play . This last function of launching the major action also involves the presentation , at one point or another and in one way or another , of the dramatic conflict or problem which will be the focus of our ...
... major action of the play . This last function of launching the major action also involves the presentation , at one point or another and in one way or another , of the dramatic conflict or problem which will be the focus of our ...
Obsah
William Shakespeare 15641616 | 3 |
Plays in Print | 22 |
Plays for the Theater | 33 |
Autorská práva | |
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1817 LIBRARIES achieved action actors Antony and Cleopatra Antony's appear audience Brutus Cassius characterization characters Comedy of Errors comic conflict Cymbeline death Decretas Desdemona dramatic line dramatist Duke effect Elizabethan Falstaff feel fifth act Folio Globe Hamlet Henry Henry VI history plays human humor Iago imagery images incidents individual irony Jonson Julius Caesar King Lear last plays laughter Love's Labor's Lost Macbeth major marriage Measure for Measure MICHIGAN Midsummer Night's Dream mood move murder never Othello passage passion pattern performances plot line Prince printed problem prose Prospero protagonist quarto reference Richard Richard III roles Romeo and Juliet says scene sense Shake Shakespeare Shakespeare's plays Shakespearian Shrew speaks speare speare's speech stage story style Tempest theater theatrical theme thou tion Titus Andronicus tragedy tragic hero tragicomedies tragicomic Troilus and Cressida Twelfth Night typical comedies UNIVERS verse words young