Shakespeare: the Art of the DramatistHoughton Mifflin, 1970 - Počet stran: 271 |
Vyhledávání v knize
Výsledky 1-3 z 32
Strana 59
... passion , you must acquire and beget a temper- ance that may give it smoothness . O , it offends me to the soul to hear a robustious periwig - pated fellow tear a passion to tatters , to very rags , to split the ears of the groundings ...
... passion , you must acquire and beget a temper- ance that may give it smoothness . O , it offends me to the soul to hear a robustious periwig - pated fellow tear a passion to tatters , to very rags , to split the ears of the groundings ...
Strana 131
... passion rather than to lead us into it . We can see this rule at work in the speeches of Cymbeline , when he speaks ... passion , but also envelop us in that passion as he declares of Cordelia : I lov'd her most , and thought to set my ...
... passion rather than to lead us into it . We can see this rule at work in the speeches of Cymbeline , when he speaks ... passion , but also envelop us in that passion as he declares of Cordelia : I lov'd her most , and thought to set my ...
Strana 189
... passion . On hearing the news , Juliet says of Romeo : O serpent heart , hid with a flow'ring face ! Did ever dragon keep so fair a cave ? Beautiful tyrant ! fiend angelical ! ( 3.2.73-75 ) But when the Nurse attacks Romeo and calls ...
... passion . On hearing the news , Juliet says of Romeo : O serpent heart , hid with a flow'ring face ! Did ever dragon keep so fair a cave ? Beautiful tyrant ! fiend angelical ! ( 3.2.73-75 ) But when the Nurse attacks Romeo and calls ...
Obsah
William Shakespeare 15641616 | 3 |
Plays in Print | 22 |
Plays for the Theater | 33 |
Autorská práva | |
Další části 14 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
1817 LIBRARIES achieved action actors Antony and Cleopatra Antony's appear audience Brutus Cassius characterization characters Comedy of Errors comic conflict Cymbeline death Decretas Desdemona dramatic line dramatist Duke effect Elizabethan Falstaff feel fifth act Folio Globe Hamlet Henry Henry VI history plays human humor Iago imagery images incidents individual irony Jonson Julius Caesar King Lear last plays laughter Love's Labor's Lost Macbeth major marriage Measure for Measure MICHIGAN Midsummer Night's Dream mood move murder never Othello passage passion pattern performances plot line Prince printed problem prose Prospero protagonist quarto reference Richard Richard III roles Romeo and Juliet says scene sense Shake Shakespeare Shakespeare's plays Shakespearian Shrew speaks speare speare's speech stage story style Tempest theater theatrical theme thou tion Titus Andronicus tragedy tragic hero tragicomedies tragicomic Troilus and Cressida Twelfth Night typical comedies UNIVERS verse words young