Shakespeare: the Art of the DramatistHoughton Mifflin, 1970 - Počet stran: 271 |
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Strana 139
... pattern and the loosely knit episodic or casual pattern remains useful for the analysis and understanding of the plays . That analysis is somewhat complicated by the presence in many of the plays of a subplot in addition to the primary ...
... pattern and the loosely knit episodic or casual pattern remains useful for the analysis and understanding of the plays . That analysis is somewhat complicated by the presence in many of the plays of a subplot in addition to the primary ...
Strana 164
... pattern , but , as we shall see , it is observed in only two of his plays as a whole . Another pattern emerges when Shakespeare wishes to suggest a difference between the way characters on stage perceive the passage of time and the way ...
... pattern , but , as we shall see , it is observed in only two of his plays as a whole . Another pattern emerges when Shakespeare wishes to suggest a difference between the way characters on stage perceive the passage of time and the way ...
Strana 165
... pattern : it begins about twelve noon and concludes about five o'clock the same afternoon , with half - hour intervals referred to within this period ( 1.2.45 , 5.1.118 ) . The Tempest , near the end of Shakespeare's writing career ...
... pattern : it begins about twelve noon and concludes about five o'clock the same afternoon , with half - hour intervals referred to within this period ( 1.2.45 , 5.1.118 ) . The Tempest , near the end of Shakespeare's writing career ...
Obsah
William Shakespeare 15641616 | 3 |
Plays in Print | 22 |
Plays for the Theater | 33 |
Autorská práva | |
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1817 LIBRARIES achieved action actors Antony and Cleopatra Antony's appear audience Brutus Cassius characterization characters Comedy of Errors comic conflict Cymbeline death Decretas Desdemona dramatic line dramatist Duke effect Elizabethan Falstaff feel fifth act Folio Globe Hamlet Henry Henry VI history plays human humor Iago imagery images incidents individual irony Jonson Julius Caesar King Lear last plays laughter Love's Labor's Lost Macbeth major marriage Measure for Measure MICHIGAN Midsummer Night's Dream mood move murder never Othello passage passion pattern performances plot line Prince printed problem prose Prospero protagonist quarto reference Richard Richard III roles Romeo and Juliet says scene sense Shake Shakespeare Shakespeare's plays Shakespearian Shrew speaks speare speare's speech stage story style Tempest theater theatrical theme thou tion Titus Andronicus tragedy tragic hero tragicomedies tragicomic Troilus and Cressida Twelfth Night typical comedies UNIVERS verse words young