Shakespeare: the Art of the DramatistHoughton Mifflin, 1970 - Počet stran: 271 |
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Strana 41
... personality . The apparel , as Polonius commented in Hamlet ( 1.3.72 ) , " oft proclaims the man , " and Shakespeare used it as a device for identifying his characters as well as for decorating the otherwise almost totally bare stage ...
... personality . The apparel , as Polonius commented in Hamlet ( 1.3.72 ) , " oft proclaims the man , " and Shakespeare used it as a device for identifying his characters as well as for decorating the otherwise almost totally bare stage ...
Strana 124
... personality of Pros- pero as we know about Hamlet and Lear , or we may say that there simply is not as much to know about him , but on either count the effect is one of less depth in Prospero than in the protagonists of the tragedies ...
... personality of Pros- pero as we know about Hamlet and Lear , or we may say that there simply is not as much to know about him , but on either count the effect is one of less depth in Prospero than in the protagonists of the tragedies ...
Strana 241
... personality distinctions are frequently present as well . Thus , Polonius speaks in a self - consciously involute style which befits one who would " by indirections find directions out " ( Hamlet 2.1.63 ) , while Kent's sturdy ...
... personality distinctions are frequently present as well . Thus , Polonius speaks in a self - consciously involute style which befits one who would " by indirections find directions out " ( Hamlet 2.1.63 ) , while Kent's sturdy ...
Obsah
William Shakespeare 15641616 | 3 |
Plays in Print | 22 |
Plays for the Theater | 33 |
Autorská práva | |
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1817 LIBRARIES achieved action actors Antony and Cleopatra Antony's appear audience Brutus Cassius characterization characters Comedy of Errors comic conflict Cymbeline death Decretas Desdemona dramatic line dramatist Duke effect Elizabethan Falstaff feel fifth act Folio Globe Hamlet Henry Henry VI history plays human humor Iago imagery images incidents individual irony Jonson Julius Caesar King Lear last plays laughter Love's Labor's Lost Macbeth major marriage Measure for Measure MICHIGAN Midsummer Night's Dream mood move murder never Othello passage passion pattern performances plot line Prince printed problem prose Prospero protagonist quarto reference Richard Richard III roles Romeo and Juliet says scene sense Shake Shakespeare Shakespeare's plays Shakespearian Shrew speaks speare speare's speech stage story style Tempest theater theatrical theme thou tion Titus Andronicus tragedy tragic hero tragicomedies tragicomic Troilus and Cressida Twelfth Night typical comedies UNIVERS verse words young