Shakespeare: the Art of the DramatistHoughton Mifflin, 1970 - Počet stran: 271 |
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Strana 46
... roles which would allow Kempe to make the most of his popular tricks of clown- ish drollery and slapstick such roles as Costard in Love's Labor's Lost , Launcelot Gobbo in The Merchant of Venice , and Bottom in A Midsummer Night's Dream ...
... roles which would allow Kempe to make the most of his popular tricks of clown- ish drollery and slapstick such roles as Costard in Love's Labor's Lost , Launcelot Gobbo in The Merchant of Venice , and Bottom in A Midsummer Night's Dream ...
Strana 48
... roles as named female roles in a Shakespearian play . There are even fewer major roles for women , and none at all to match the dramatic depth and complexity of a Lear or a Hamlet . The explanation this times goes beyond the particular ...
... roles as named female roles in a Shakespearian play . There are even fewer major roles for women , and none at all to match the dramatic depth and complexity of a Lear or a Hamlet . The explanation this times goes beyond the particular ...
Strana 49
... roles or to have left the company . After 1600 we no longer see this combination of a tall and a short boy acting together , but while Shakespeare had this pair available to him he created some of his most charming female roles . Boy ...
... roles or to have left the company . After 1600 we no longer see this combination of a tall and a short boy acting together , but while Shakespeare had this pair available to him he created some of his most charming female roles . Boy ...
Obsah
William Shakespeare 15641616 | 3 |
Plays in Print | 22 |
Plays for the Theater | 33 |
Autorská práva | |
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1817 LIBRARIES achieved action actors Antony and Cleopatra Antony's appear audience Brutus Cassius characterization characters Comedy of Errors comic conflict Cymbeline death Decretas Desdemona dramatic line dramatist Duke effect Elizabethan Falstaff feel fifth act Folio Globe Hamlet Henry Henry VI history plays human humor Iago imagery images incidents individual irony Jonson Julius Caesar King Lear last plays laughter Love's Labor's Lost Macbeth major marriage Measure for Measure MICHIGAN Midsummer Night's Dream mood move murder never Othello passage passion pattern performances plot line Prince printed problem prose Prospero protagonist quarto reference Richard Richard III roles Romeo and Juliet says scene sense Shake Shakespeare Shakespeare's plays Shakespearian Shrew speaks speare speare's speech stage story style Tempest theater theatrical theme thou tion Titus Andronicus tragedy tragic hero tragicomedies tragicomic Troilus and Cressida Twelfth Night typical comedies UNIVERS verse words young