Shakespeare: the Art of the DramatistHoughton Mifflin, 1970 - Počet stran: 271 |
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Strana 189
... speech : it is often highly artificial , but it is not merely inserted into the play as an ornament , and it conveys to us a sense of deeply felt passion . On hearing the news , Juliet says of Romeo : O serpent heart , hid with a flow ...
... speech : it is often highly artificial , but it is not merely inserted into the play as an ornament , and it conveys to us a sense of deeply felt passion . On hearing the news , Juliet says of Romeo : O serpent heart , hid with a flow ...
Strana 190
... speech we see a near perfect example of the ways in which the mature Shakespeare used a basic iambic pentameter pattern , but varied it , so as to provide a union of poetic power and of colloquial speech . The sen- tence opens in mid ...
... speech we see a near perfect example of the ways in which the mature Shakespeare used a basic iambic pentameter pattern , but varied it , so as to provide a union of poetic power and of colloquial speech . The sen- tence opens in mid ...
Strana 241
... speech . In Julius Caesar , Brutus ' cool , stoical rationality , Cassius ' peevish and calculating egotism , and Caesar's thrasonical self - importance are all expressed in individual tones of speech . In Antony and Cleopatra ...
... speech . In Julius Caesar , Brutus ' cool , stoical rationality , Cassius ' peevish and calculating egotism , and Caesar's thrasonical self - importance are all expressed in individual tones of speech . In Antony and Cleopatra ...
Obsah
William Shakespeare 15641616 | 3 |
Plays in Print | 22 |
Plays for the Theater | 33 |
Autorská práva | |
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1817 LIBRARIES achieved action actors Antony and Cleopatra Antony's appear audience Brutus Cassius characterization characters Comedy of Errors comic conflict Cymbeline death Decretas Desdemona dramatic line dramatist Duke effect Elizabethan Falstaff feel fifth act Folio Globe Hamlet Henry Henry VI history plays human humor Iago imagery images incidents individual irony Jonson Julius Caesar King Lear last plays laughter Love's Labor's Lost Macbeth major marriage Measure for Measure MICHIGAN Midsummer Night's Dream mood move murder never Othello passage passion pattern performances plot line Prince printed problem prose Prospero protagonist quarto reference Richard Richard III roles Romeo and Juliet says scene sense Shake Shakespeare Shakespeare's plays Shakespearian Shrew speaks speare speare's speech stage story style Tempest theater theatrical theme thou tion Titus Andronicus tragedy tragic hero tragicomedies tragicomic Troilus and Cressida Twelfth Night typical comedies UNIVERS verse words young