Classical Rhetoric in English PoetryMacmillan, 1970 - Počet stran: 180 Back in print after 17 years, this is a concise history of rhetoric as it relates to structure, genre, and style, with special reference to English literature and literary criticism from Ancient Greece to the end of the 18th century. The core of the book is a quite original argument that the figures of rhetoric were not mere mechanical devices, were not, as many believed, a "nuisance, a quite sterile appendage to rhetoric to which (unaccountably) teachers, pupils, and writers all over the world devoted much labor for over 2,000 years." Rather, Vickers demonstrates, rhetoric was a stylized representation of language and human feelings. Vickers supplements his argument through analyses of the rhetorical and emotional structure of four Renaissance poems. He also defines 16 of the most common figures of rhetoric, citing examples from the classics, the Bible, and major English poets from Chaucer to Pope. |
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Strana 23
... live properly : in the eyes of the Ancients eloquence had a truly human value tran- scending any practical applications that might develop as a result of historical circumstances ; it was the one means for handing on everything that ...
... live properly : in the eyes of the Ancients eloquence had a truly human value tran- scending any practical applications that might develop as a result of historical circumstances ; it was the one means for handing on everything that ...
Strana 164
... live , Wherein I die , not live : for life is straight .. up Again the new word receives greatest stress : ' die ' . This stress is backed up by the polyptoton which begins the exposition of the real Good : ' live . . . life ' , a ...
... live , Wherein I die , not live : for life is straight .. up Again the new word receives greatest stress : ' die ' . This stress is backed up by the polyptoton which begins the exposition of the real Good : ' live . . . life ' , a ...
Strana 165
... live , So live and like , that I may know , thy wayes . In these two lines we see most strongly a quality of the poem as a whole , the way each line modifies or qualifies the one preceding . Here the apparent finality of ' live ' ( a ...
... live , So live and like , that I may know , thy wayes . In these two lines we see most strongly a quality of the poem as a whole , the way each line modifies or qualifies the one preceding . Here the apparent finality of ' live ' ( a ...
Obsah
Preface | 11 |
A CONCISE HISTORY OF RHETORIC | 43 |
THE PROCESSES OF RHETORIC | 61 |
Autorská práva | |
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anadiplosis anaphora antimetabole aposiopesis argument Aristotle Astrophil and Stella asyndeton audience Bolgar C. S. Baldwin century chapter Chaucer Cicero classical clauses conventions Curtius Demetrius Demosthenes Despair detail Donne effect Elizabethan eloquence emotional and psychological English Renaissance epanalepsis evidence examples expression Faerie Queene Faral figures of rhetoric force function genre give given Gorgias Greek Hellenistic Herbert Herennium Hoskins human humanist imitation important influence isocolon Isocrates Jonson Kennedy language Latin literary literature logic Longinus Marrou medieval metaphor Middle Ages Milton nature orator oratory Paradise Lost parison paronomasia Peacham ploce poem poetic poetry poets polyptoton Pope practical praise prose pupil Puttenham Quintilian Ramist Ramus repetition rhetoric-books rhetorical analysis rhetorical figures rhetorical processes rhetoricians Roman schools sense sentence Shakespeare Sidney Sonnet Spenser stress style teaching thee theory things thou tion tradition Troilus and Criseyde tropes tropes and figures Virgil whole words writers