Classical Rhetoric in English PoetryMacmillan, 1970 - Počet stran: 180 Back in print after 17 years, this is a concise history of rhetoric as it relates to structure, genre, and style, with special reference to English literature and literary criticism from Ancient Greece to the end of the 18th century. The core of the book is a quite original argument that the figures of rhetoric were not mere mechanical devices, were not, as many believed, a "nuisance, a quite sterile appendage to rhetoric to which (unaccountably) teachers, pupils, and writers all over the world devoted much labor for over 2,000 years." Rather, Vickers demonstrates, rhetoric was a stylized representation of language and human feelings. Vickers supplements his argument through analyses of the rhetorical and emotional structure of four Renaissance poems. He also defines 16 of the most common figures of rhetoric, citing examples from the classics, the Bible, and major English poets from Chaucer to Pope. |
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Strana 11
... perhaps the minimum coherent treatment of these topics . It is equally evident that in order to write them I have had to rely on the major authorities , and thus Chapters One and Two contain not much that is original , except perhaps ...
... perhaps the minimum coherent treatment of these topics . It is equally evident that in order to write them I have had to rely on the major authorities , and thus Chapters One and Two contain not much that is original , except perhaps ...
Strana 107
... Perhaps the most forceful example of this echoing figure is Leontes ' savage epistrophe on ' nothing ' ( Winter's Tale , 1.2.284-96 ) . Again for diaphora or ploce , the repetition of a word , Peacham urges that it should serve ' both ...
... Perhaps the most forceful example of this echoing figure is Leontes ' savage epistrophe on ' nothing ' ( Winter's Tale , 1.2.284-96 ) . Again for diaphora or ploce , the repetition of a word , Peacham urges that it should serve ' both ...
Strana 121
... perhaps rather with a fanatical inertness . ' Secondly , part - comic , part - serious , Sterne's curiously divided emotional reactions to his own writing : ' I laugh till I cry , and in the same tender moment cry till I laugh . ' As a ...
... perhaps rather with a fanatical inertness . ' Secondly , part - comic , part - serious , Sterne's curiously divided emotional reactions to his own writing : ' I laugh till I cry , and in the same tender moment cry till I laugh . ' As a ...
Obsah
Preface | 11 |
A CONCISE HISTORY OF RHETORIC | 43 |
THE PROCESSES OF RHETORIC | 61 |
Autorská práva | |
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Ages analysis aposiopesis applied argument Aristotle Astrophil and Stella Baldwin called century chapter character Cicero classical connection conventions course criticism Curtius demonstration described detail discussion Donne effect Elizabethan eloquence emotional English especially essential evidence examples expression fact feeling follow force function further genre give given Greek Herennium human idea important influence interest kind language later Latin literary literature live logic Lost master meaning medieval Middle mind move nature observed orator oratory organic perhaps period poem poetry poets Pope practical praise processes prose psychological Quintilian Ramist reason reference Renaissance repeated repetition rhetorical figures rhetoricians schools seems seen sense Shakespeare shown Sidney Sonnet speech stress structure style suggest teaching theory things thou thought tion tradition tropes whole writers