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The fresh green fields—the swelling hillsThe music of the gushing rills

The humming of the bee:

And scenes and sounds to memory dear,

Are in mine eye and in mine ear.

The carol of the merry lark

Rings through the morning air;
The honest sheep dog's wary bark
Guarding with watchful care
His flocks upon the green hill side:
The milkmaid too, with modest pride
And pretty anklet bare,
Tripping along the dewy green,

Is no unpleasant sight, I ween.

These, and ten thousand scenes like these,

Are passing o'er thy breast.

Oh for the wave of thy green trees

To shade my noontide rest!
The pleasant rustling of the leaves,
The warbling of the bird, that weaves

Above me its trim nest

While cooling breezes float along

Laden with fragrance and with song.

And glorious autumn's golden fruits,
And summer's lingering flowers,
And the sweet woodbine's graceful shoots
Twining round rustic bowers;

And friends long loved through absent years—
And kind eyes sparkling mid their tears,
Like April's sun and showers-

Await me there. Cease, heart, to swell!
Thou salt and bitter sea, farewell!"

LONDON THEATRES.

DRURY-LANE and Covent-garden are two magnificent temples for the representation of the legitimate drama. Taste and elegance are conspicuous in whatever appertains to them; and though both houses are richly ornamented, the most fastidious critic would be puzzled to point out any thing gaudy, glaring, or obtrusive. The contrast between the chaste simplicity of their common scenery, and the glittering coarseness of that of the minor theatres is very striking. The greatest fault of both is their size; great physical powers being absolutely requisite to make the singing and acting effective in the more remote parts of the house. The interior of each being in the shape of a horse-shoe, the stage is consequently much smaller in proportion to the audience-part than that of the Park theatre, which is semicircular. The saloons and lobbies are uncommonly spacious and splendid. The principal saloon

at Drury-lane is one large mirror, the walls being entirely covered with glass. Next in reputation to these stands the Haymarket, nearly the size of the Bowery, and bearing about the same relation to Drury-lane and Covent-garden, that the Chatham in its best days did to the Park. The English Operahouse-lately burned and now rebuilding-its name sufficiently indicates the purposes to which it is appropriated. The Italian Opera-house is not yet open for the season, but is, I understand, by far the largest and most splendid theatrical establishment in London. Then there is Astley's in the quadruped line, where dramas written by asses are played by horses-where the business of the scene is transacted en croupe, and ladies are courted and tyrants are slaughtered at a three-quarter pace or a full gallop. Sadler's Wells, once famous for heroic actions and real water, swearing and tobacco. Here ships were nightly wrecked and long-boats overturned; and sailors continually employed in jumping overboard to save beauty and innocence, in wet white garments from a watery grave. The performers were a species of amphibious animals, and passed half their time in fluids; and the best swimmer was, next to a Newfoundland dog, the most important personage in the establishment. Here it was that the "Courageous Coral Diver, or the Shark of the

Gulph of California," had such a successful run. The "Humane Society for the recovery of drowned persons" allowed, I believe, their drag-nets, warm flannels, stomach-pumps, and other apparatus to be kept in readiness at this theatre, in case of accident; but still they could not prevent the coughs, colds, catarrhs, and pulmonary complaints incident to such an otter-like state of existence-the real water was therefore discontinued-the sea was sunk, and the ocean is now made of carpets and painted sailcloth, as in other establishments.

Besides these, there is an infinite number of minor theatres, with the names of half of which I am unacquainted. Some of the major-minors are highly respectable, and not unfrequently have first-rate talent on their boards; but the minor-minors are, from stage to gallery, an unmixed mass of ignorance and vulgarity. Here is performed that species of "national drama," which was wont to be enacted at the Lafayette and Mount Pitt circus before they were purified by fire; and which is still to be seen at the Park and Bowery, much to their credit, on holiday nights, where the several parties have it all their own way; and the most glorious and decisive victories are obtained by the tremendous carnage of one half of the supernumeraries, and the craven cowardice of the other; and where the ene

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mies of valiant Englishmen and courageous Americans are humbled into the dust before them, much to the credit of the very patriotic and enlightened audiences. Here, as on your side of the water, instances of almost incredible prowess are as common as can be; and an enemy's first-rate is frequently boarded and taken by a single midshipman, or a young officer alone cuts a whole detachment to pieces, except that the curtain falls amid shouts of England for ever!" instead of "Hurrah for Jackson!" I had been so long accustomed to hear all the love and liberty and heroism and bombast proceed out of the mouths of gentlemen in blue jackets, that it at first seemed strange to hear gentlemen in red declaiming in precisely the self same strain. However, it must be said for the Londoners, that these direct national puffs are not tolerated at decent theatres. The victories of his majesty's forces are almost entirely confined to places patronized for the most part by butcher's boys, dustmen, draymen, and coal-heavers.

The principal source of profit, however, to nearly all the minor theatres, is the "supernatural business," or representation of demoniacal dramas. But here no narrow national feelings prevail-justice is equally dealt out to all; and in the last scene the devil has his due, let the culprit be what coun

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